THREE FLAMES, MY GOLDFISH DANCING LIKE
STARS
Three flames, my goldfish dancing like
stars
in a telescopic lens with a narrow
field of view.
Eerie slate blue in the blank windows
across the street, as if they once had
eyes.
Blind prophets in the dawn. What do
they see?
One poet on nightwatch sitting in an
apartment
by himself with the lights out,
listening
to what the silence has to say about
everything,
nothing, the way the sky is beginning
to keep its stars to itself as if
the great liberties of shining
they took with the night are practising
the greater discretion of candle wicks
that someone lights up and someone
blows out
and they end up bending back on
themselves
like solar flares, or ingrown hairs,
or tiny black monks concealed under the
cowls
of this holy hour like shadows of noon
in the sun.
All the deep, soul-searching questions
make peace with all the elusive answers
they’ve been searching for like a
battered bird
the eye of a storm. And the lies of
life prove
vastly less intriguing than its truths.
Every firefly of insight, a dragon
breathing
in the distance, exhaling chimney
sparks
like a furnace in a dream talking in
its sleep.
Plumes of smoke dissipating in the air
from the fumaroles of gentle exorcisms,
ghosts trying to get back to their
graves
before the day starts to take itself
too seriously.
The numinous aftertaste of all the
afterlives
I wanted to live in my mouth, one’s
as good
as another, and I’m beginning to
exalt
a little in living this one as a
creative endeavour
that’s been trying to achieve me all
along,
not the other way around. At least
it amuses me to think so though I’m
not expecting
a masterpiece. The same eye by which
I see the star is the eye by which the
star sees me.
Interdependent origination. Cosmic
intimacy.
All these broken mirrors that have
given birth to my face.
All these Cepheid variables drumming on
the hide
they tanned from my heart like the
pulse
of an enraptured ghost dance around a
blazing fire.
Listen to one solitary night bird and
you can hear
the whole choir singing backup to the
human condition.
Compassion is the sweetest sadness when
the stars
bend down to kiss the burn like a
sunspot
soothing its feet in the lunar shadows
of the mindstream
on a long firewalk across the cool
sands of a new moonrise
over the Sea of Tranquillity. Why walk
when you can row your way across or fly
like a waterbird through the skies of a
million eyes at once?
Mark one jewel and they’re all marked
for life.
Whisper to the willows in starlight
and you can hear the booming of the
abysmal echo
on the far side of the universe like
life in a small town.
When life isn’t copulating in the
brothels
of a false dawn, it’s the prelude of
a longing
to impart your heart to someone like a
secret
you couldn’t reveal to anyone else
like a humming bird
that’s caught the ear of the holly
hocks.
You enter the dream without knowing
what you’re going to wake up to.
The empty silo keeps the hunger alive.
It’s the full harvest that blows the
candle out
beside your death bed. Fulfilments of
failure.
No one’s a sailor until they’ve
drowned
running aground on the lunar reefs
of an enchanted island you washed up on
like a lost cause doomed to be found in
the morning
like the guiding light of a dead
starfish
still shining out of habit in a dawn
that pales
by comparison when a sorceress sets her
easel
up on the beach and begins to sketch
a starmap of you that’s an exact
likeness
of the vision you had of her just
before you died.
There’s always another side to a
black hole.
Turn the emptiness of the hourglass
over
like a drink you’ve finished crossing
the bar
and it’s a different world with
different stars.
PATRICK WHITE
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