LONG AGO
Long
ago I learned to forgive
yesterday’s
shadows
like
the daggers of a dead assassin
I
melted down into bells
without
occasion to sing.
I
was tenderly adamant
about
the need for compassion
and
hung them from the loftiest towers
like
iron fruit or rain frozen in its descent.
Only
the conceptualists
indulge
in perfect virtues
and
mine, at best,
are
improvised approximations
of
the dark whispers
of
the blind fish
that
swim in the watersheds of my heart.
And
there was no other way
of
pouring the infection out of the wound
except
by inviting the maggots to the feast.
I
reproached them all
with
the wisdom of a mirror
for
relishing the worst of me.
It’s
hard to remember sometimes
that
even flies have a dignity of their own,
if
no honey,
and
even the city rose
turns
into an old, well-thumbed book eventually,
an
index of celebrity desecrations.
I
kept my eclipses and dragons
up
my bounteous sleeves
and
took the trembling stagefright of the stars
cowering
behind their cardboard hills seriously.
Whatever
the mind realm,
whatever
facet of the jewel turning in the growlight,
whatever
feather of the spirit
soaring
overhead with a twig of fire
or
groping below like a star-nosed mole,
my
heart turned into a lifeboat, a well, a telescope,
and
I hauled everyone up and in and out of themselves
until
the moon began to look like a pulley
and
there was an echo in the siloes
of
my exhortative sufficiency.
Sometimes
the galaxies were easier to save than the candles,
but
I applied my whips and swans lovingly
I
was a good oar on a seaworthy vessel
and
eventually my heart turned into a rudder.
I
launched every pulse in the name of the unknown
and
soon found myself a stranger
in
the eyes of the people who had climbed to safety
up
the nets and rope-ladders
I
learned to fashion from my spinal cord.
I
wasn’t a rudder on a lifeboat anymore;
I
was a dead shark, dorsal down,
lethal,
a meat-plough.
Nobody
knew me as I was.
I
struggled deeply within myself
to
assume the throne of my isolation,
my
heart freaked by the hazard of random lightning strikes,
challenged
by demons
I
could not win against,
crescent
moons that broke off in my throat and voice like teeth.
I
became the nightwatchman
of
pleading shadows laid out
like
corpses in a morgue,
a
lamp in the arms of its own journey,
while
their bodies walked around delinquently.
And
the shining was black, the light,
an
eerie pollen of the night,
an
indelible soot lasered like destiny
on
the sheets and sails of a soul I could never wash out,
a
luminosity that just didn’t open
the
moths and flowers like letters
but
rewrote them, a transformative mirror,
an
eclipse of the sun
that
rises within at midnight,
an
illumination that didn’t just reflect
but
imagined the things of the world into being
and
went on changing them,
mutating
them,
seer
and seen alike
on
the same side of the mirror
that
suggested them into existence inconceivably,
though
there was no existence
or
non-existence
to
exit or enter by.
My
seeing grew cold and impersonal,
space,
a straitjacket of glass,
my
heart, an ancient ice-berg on the moon,
and
with a shriek of mouthless perception
my
blood was blanched into flowing diamond.
I
dared to look upon suffering,
my
own and the pantomime of others,
as
the flaring of a brutal creative fire
that
wracked the world in an unwitnessed dream
lonelier
than the wind without a star or a candle.
And
I knew it was saying me
behind
the mask
of
every hopeless word I uttered.
And
I saw at the dark gate
that
reason was only another peer of the realm,
and
there was an infinitude of skys and windows beyond
that
my eyes hadn’t grown into yet,
flying
like a bird into the vision
until
only the vision remained,
and there were intimate metals
in every rock
that
had been confided into being like a secret.
Reason
was merely a prim shadow
in the cosmic fire-womb
of
the original madness
to
make the hidden known,
whispering
the world
into
its own ear like a blasting cap.
Everything
exists to know the hidden
as
a robe of its own blood,
the
taste of stars in the sap of the sugar maples in spring,
whether
the cool mushrooms of her lips
that
she offers up in the night
under
the evergreens
are
dangerously hallucinogenic,
or
tenderly toxic, white angel or fly agaric..
I
found it important to learn
what
doesn’t make me happy,
and
then to learn
that
there isn’t anything that would
as
I long as I persisted
in
looking for the meaning of my joy,
the
replicable reason
that
would let me breed it
like
a butterfly or a silkworm in captivity.
Now
bliss comes when it does
naked
and adorned,
impoverished
and squandering,
and
my heart is more of an empty, open hand
than
a fist clenched around
something
it feared to lose.
Haven’t
you noticed the sad drinkers
in
the all night taverns
who
age faster than the wine in their glasses
as
soon as they start
to
con the god into staying,
make
a cage of the tree
to
snare the elusive nightbird
that
enhances their darkness
with
a voice hinged to a doorway of light?
And
the theorists trying to sweep
the
ashes of stars
immolated
in their own light like moths
off
their thresholds with tweezers?
And
those who live like pharaohs
under
pyramids of quicksand
they’ve
made of their hearts
anticipating
afterlives
that
look a lot like this one
when
the bandages will come off
like
the brittle eyelids
of
a shedding rose
and
the bull harps will seed the moon again
and
the echo at the end of the dream
won’t
be just the voice of another used beginning?
PATRICK
WHITE
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