PASSING INTO A SWEETER SOLITUDE AS IT
GETS OLDER
Passing into a sweeter solitude as it
gets older
the sunset takes one long last look
over its shoulder
like the darkening tree line on a
wavelength of hills
back at the valley that it’s just
lived its way through
following its mindstream like a
pictographic musical motif
through an ordeal of blessings that
maimed my ability to believe
in any cave painting that says it’s a
found religion.
It isn’t any harder to reverence the
stars in a parking lot
than it is in the woods. They can burn
inside me
like candles at a black mass, or
righteous cherubim
with flaming swords like two
nightwatchmen
on either side of the gate that exiles
me
from the garden of my heart, and leaves
me
with the cornerstone of my skull
to enshrine my homelessness in like an
open door
without an entrance or an exit; either
way
I’ve never been the poster boy of
anyone’s morality play.
One Perseid, my meteor shower on a
Saturday night
because I’m sitting on the patio at
the Imperial,
with Simon, Johnny, Joe, Sheldon, James
and a jumping bean of a girl whose name
I forgot
but who was the house dj checking out
the quality
of ipads that were looking up the
constellations
that shone so virtually in their
hand-held eyes
but had been culled to near extinction
like buffalo
by the light pollution smudging the
view
of the seventh magnitude sky overhead
that is used to being ignored for its
brilliance
by blind star-nosed moles chewing
through
the white canes of their electronic
roots and nervous systems.
It’s good the watchers are handing
out
integrated third eyes of what they want
you to see
like Pax genes in the Pre-Cambrian,
a Cyclops enamoured of an observatory,
a Dajal, the one-eyed, red-haired liar,
or those so mesmerized by a tv or
computer screen
it’s moot whether it was Perseus or
the Medusa
who turned who to stone. Bread and
circuses,
the watchers are watching the eyes of
those
who are watching them like an iris scan
of the same old documentaries that ran
yesterday
when the mystery of the light emerging
from the darkness
was still camera shy, and the history
of human insight into matters of moment
such as the death of a comet in the
upper atmosphere
wasn’t just the photo op of a warning
no one’s listening to, throwing a
wild-eyed tantrum
across the sky for the paparazzi
mesmerized
like a frenzy of insects around a
celebrity lamp post.
I spy with my little eye, like a small
refracting telescope
among the technologically mesmerized,
the deconstruction of holistic ways of
seeing
into the programmatic focus of billions
of pixels
replacing the cells of our eyes with a
visual white noise
of spectacular cataracts milking the
homogeneity
of a perilous point of view that will
turn on itself
like a retrograde wavelength with the
fangs of a new ice age
in the eye of this storm of starless
foci. As if
someone took Michelangelo down from his
seance
on the Sistine Chapel Roof, and
photo-shopped it
on the template wings of a million
distracted butterflies,
trying to reconfigure with the IP
address
of the wildflowers that have gone
offline in a chat room
where nothing, however trivial, gets
said
that isn’t indelibly impressed into
the cuneiform
of suggestible starmud in the library
of Ashurbanipal
keeping an eye on things like an
exorcism
of those who don’t believe the medium
is the message
with a mute button, texting, the
internet, spellcheck and redial.
That said and overheard, I still ping
what I write
and feel and think and see, in wonder,
bliss and tears,
even if it be so little as one of a
hundred meteors an hour
off the stars, knowing the eye by which
I see them
is the eye by which they see me synched
to the light
like intelligence resonating on the
same frequency,
not as an app that can be applied like
hindsight to the blind.
PATRICK WHITE
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