HIDDEN JEWELS IN THE ASHES SKINLESS AS
LIGHT
Hidden jewels in the ashes skinless as
light.
It’s a big place when you only see it
through your eyes,
but see it through your heart, and even
your deepest tears are a wound shy
of the bell of silence that overturns
the fountainmouths
of even the most efflorescent of the
arts
so many paint on their windows so as
not to see it.
It’s crucial to be a sincere sword in
any holy war,
but how rare it is to meet anyone with
the courage of their clarity to peer
beyond that
and look up at the stars from a dark,
open field
and see, despite the way the light
shatters like chandeliers,
we’re not living in a world of broken
mirrors.
You can look into the eyes of the
dragon
that weeps like rain. You can feel
compassion
for flying reptiles and then you can
kneel
at the end of the futon in front of the
beaming window
and add your own ray of light as if
your were humanizing
prismatic power mandalas through an
antique kaleidoscope
by adding your eyes to the sand
painting the next moment
is going to be erased at the zenith of
fulfilment
and all the apple bloom like the circus
tents
of the enlightened clouds and clowns,
are going to blow away, as if time
weren’t
just the younger sister of space, but a
kind
of sad, lyrical wind as well that keeps
shedding our lifemasks like the petals
of the wild roses and the wings of the
flying ants,
as autumn comes looking for the maple
keys
that could unburden your heart and
sweeten your sleep
like a windfall of the fruits of life
that replace it all
with a better return journey than when
you went into exile.
Mentored by suffering the improvised
myths of our origin,
keeping our third eye on the twists and
turns
of the washboard road we’re driving
home on,
not to be surprised about what’s
around the next bend
or the rock like a hidden chip on a
soft shoulder
waiting to be knocked off, wondering if
life
has just provided you the occasion
to love again as inexhaustibly as you
once did,
as if someone’s just uncovered you
like a hidden housewell
or a buried telescope in a graveyard of
famous constellations
with an afterlife of born again stars,
you turn a corner,
bemused to be alive, as if you’d
forgotten the feeling,
and your truly surprised, startled
even, when you look to your left
that there’s a field, half-returned
to the bush, beyond a cedar rail fence
patched by lichens that look like the
seas of the moon
eclipsing their wounds as if time
really could heal all things,
and the last of the common mullein were
flowering
out of an urgent dream just before
dusk, and the light,
I swear the light was making making
everything
glow like effulgent honey, as the
leaves on the trees
were on the verge of burning, and the
goldenrod
and the purple loosestrife stood out
like complementary colours,
mutually enhancing hot spots on the
wheel of birth and death,
and the star clusters of New England
asters
and blue chicory blooming by the side
of the road
like floral prototypes of the new
starmaps as the night comes on,
each as original as the last, and
you’re mystically entranced
even in passage, of how reality, even
in the midst
of its dissolution, can sometimes take
your breath away
with the beauty that’s immanent
within us all revealed
spontaneously like a stranger at the
open gate
swinging on its hinges of hello and
good-bye
that I took as a sign this was always
the right path to be on
after all these light years of driving
through the dark on my own.
PATRICK WHITE
No comments:
Post a Comment