SO CRAZY AT TIMES I’M EXILED FROM MY
SOLITUDE
So crazy at times I’m exiled from my
solitude.
I disguise my madness as the
excruciating discipline
of beading the stars into a lifemask I
can wear
like a constellation of fireflies that
never arises
the same sign twice. Among all these
myriads of me,
not one with an identity I can isolate
monadically
and say, see, I’m indefensibly this
mystically specific human.
I have an ontological address, and
these are my doors,
my stairs, my floors and windows, my
local habitation
and a name as the bard suggests.
Whatever my magnitude
I’ve got a place on the starmap. I’m
grounded like a garden
in being. The hummingbird thrums sacred
syllables
into the ears of the hollyhocks, aum
mani padme aum,
the jewel in the lotus, and the crow
caws like a black mass,
but even when I walk through the
cemetery
up on Drummond Road, looking for a
gravestone
with the future of my name on it to
prove that I existed once
to suffer the same dissolution as
everyone else,
none of the voices I hear like
starlings in the elms
are my own. And altogether the dead
echo: not here, not here.
Everyone seems to have a God-particle
they cling to for mass,
but I’ve been bubbling up for light
years in one universe
after another, and I’m more vaporous
than solid,
and even when I morphologically assume
what I take to be,
briefly, the true shape of my shifty
universe just
to get along or belong to all my
friends with backbones like rafters,
it’s only a provisional scaffolding I
climb up on like monkey-bars
to paint the latest theory of my myth
of origins.
Am I a sum of destructions, God’s Own
Zero,
or a creative deficit of cosmic
proportions in debtor’s prison?
Have I run out of afterlives, broken
the continuum,
or is this one just unborn without a
beginning
though there’s no end of dying behind
or ahead of me?
Subjective idealism, the slippery slope
to solipsism,
the shadowy puppet theater of my own
imaginative projections,
the mind only intuition of Vishnabandu,
the vehicular autobiography of the road
not taken,
no bed in the shelter of the Shepherds
of Good Hope
to lay my head down on like the rock of
the world
to dream of what I could have been if
I’d found a self
I could take seriously. Not life in a
palace, but even
a tent I could carry around with me
like my homelessness,
or a deer bed of cool nocturnal grass,
a crude crop circle
under a broad-leafed basswood tree to
say where I slept last night
on my way to somewhere else like the
stations of a crossroads
where I can dance my way honestly like
a Sufi
into annihilations of anti-matter in a
charged particle field
reversing my spin. But there’s no
particle at the end
of my wavelength. The snake with its
tail in its mouth
has swallowed its head. The exclamation
mark is missing a period.
Or maybe I’m hydra-headed and the
more I prune off,
dead blossoms off the hollyhocks, the
more grow back.
Salome would have danced herself to
death by now
if she ever wanted my prophetic head on
silver platter.
Valley without an echo, rootless tree,
not even an anti-self.
I’m an oxymoron of crazy wisdom,
what’s to oppose,
when there’s no one there to
contradict being not two?
And then, again, what if I’m missing
what wasn’t there
in the first place and I’m just
lamenting the loss of legs to a snake?
A toy I lost in last night’s dream.
Quicksand missing a mirage?
A reciprocal hourglass I mistook for a
candle without a wick?
Or maybe sometimes the moon howls for a
lunatic
to talk to her like a lonely mountain
that can’t find its reflection in a
sea of shadows
but fits her like the skin of an
eclipse up to the elbows.
Emptiness doesn’t insist upon itself
anymore than space
gets in the way of things, or the wind
is a distraction
to the flight of the white clouds
behaving like herons.
Or a star is inhibited by the eyes it’s
shining in.
It’s conceivable that somewhere along
the line
I jumped orbitals like the photonic
discharge of an insight
into the earth as a beautiful woman who
had become my lover
and I was enchanted into passing my
time and space
here with her, without leaving a mark
on her
as if I were sleeping with water so
unfathomable
I had the good spiritual manners not to
kiss and tell.
And there’s a freedom, I swear, when
you’re not bound
to anything, not even the void, or your
word,
like a flurry of loveletters released
from a dovecote
that makes you laugh out loud at the
absurdity of glee
profoundly delighted at the emptiness
of the sky
receiving them like the first signs of
a giddy emotional life
more sublime than the dragons that
bring the rain
to the starfields of wild rice with a
universe in every grain.
Words aren’t panned from the
grammatical ruts of the mindstream
like nuggets of gold washed downed down
from the world mountain
to be picked out like blackberries or
stars from the galactic slurry.
Nothing’s thrown away as of little or
no value,
not even the alluvial silt, or the
cobwebs in the corners
of some dead stranger’s dreams.
Everything shines,
and even the blind can point themselves
out entangled
like medicine wheels in the treelines
along their horizons
their eyes once disappeared over on the
prows of Greek triremes,
or birds, yes, birds, homeward bound
through the gloaming.
Disparate images appear and school into
synchronized fish
or startled sparrows, and then they’re
a gaggle of Canada geese
trying to rise from a cornfield like an
Ottawa traffic jam
waiting for the fireflies to change.
Metaphors bridge
the gap between things with
copulatively interactive equals signs
or staples in wounds, the axles of
death carts and dumb bells.
Or the neck of guitar like the deck of
an aircraft carrier
when the music’s flying solo after
take-off, and the notes
are hooked on a spiderweb of spinal
cords in hidden harmony.
The bottom falls out of the bucket, the
mirror
of a reflecting telescope, a brain
hemorrhage of light
like the supernova of a star that has
finally had enough of the dark
to lose it big time. Evanescent hybrids
and alloys
of memes and genes transmutate into
surrealistic paradigms
with the half-life of logos.
Intelligence has a heart transplant
and reason waits like a fire-hydrant on
call to be a first responder.
Forms caught in the searchlights like
bats and bombers
in midflight, no sooner glimpsed than
gone,
and nothing to focus on, not even the
clear light of the void
where your eyes evaporate like tears on
a hot stove.
Maybe I’m that river of Heracleitan
fire you can’t
step into twice, or a wardrobe of
shadows for every occasion
to accessorize my next incarnation as
an extinct species of being time
without the necessary photo ops and
passports to prove it exists
like a future that lies buried under
the stones of its past.
Logic can try to stay on top of its
sorrows
so it doesn’t get hurt again by the
unforeseeable,
and sensible shoes can cut their
tongues out
and amputate the flightfeathers on
their heels like tonsils,
and still speak mutely to each other
like thumbs up or down,
a waste of good messengers with nothing
crucial
to say to themselves, that isn’t
better left to the silence
that’s been flatlining their
headlines for light-years.
But I wear a black leather jacket on my
back like an eclipse,
or an oil spill, that occludes my
rainbow body until
I shed it like the new moon of a rat
snake
and it’s impossible to say whether
I’m a hearse
or a wind-up waterclock in the hands of
a teleological god
that knows I’m only dangerous when I
never show up on time.
Late for the Burgess Shale again. No
fingerprints. No fossils.
Spontaneous generation like a flashmob
of immaterial sub atomic particles out
of the void
that always behave like thought waves
cut loose
like an empty lifeboat on a sea of
awareness
when no one’s looking to see if
you’re solid or real.
If this is the way you are, or just the
way you feel
the dark abundance of your negative
capability,
the bright vacancy of your absence from
the mirror,
asylums of apostate selflessness in an
inconceivable abyss
where to say not that isn’t
just another metaphor
for what this is. Or denying the
affirmation,
the affirming of the denial. Crazy
wisdom.
Deeper in the shallows of what’s
hidden
than in the manifest depths of what
appears.
PATRICK WHITE
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