CONSTELLATION
Even
in spring, the night is old, and the rising moon, fool’s gold.
Maybe
I’ll go on believing this darkness is the harbinger of light,
and
even if life be proven random and absurd
there
is still beauty and significance in the word that says so. These
days, aging,
love
is elusive
as the abandoned heart grows crude and abusive
and
mistakes that were made and never mastered
return
like the last word of a parting sleight that chilled the stars.
Within
me the wines of being still dream of becoming blood,
and
there are still angels in the mud trying to fashion a man
whose
life is more than a passion of decay. Forsaken as folly
the
dark clarity of the holy, I am yet a candle and a planet
that
runs before the sun. More time behind me than ahead,
and
the silence sadder for all the things that were said,
tonight
I remember friends and lovers who once burned
with
all the insatiable fury of life to be wonderful, wild, and free,
extraordinary
in the turmoil of eternity,
and
I bless the light by which they lived
through
blossom, leaf, and fruit back to the deep root
that
makes apples of the rain. Human, they were worth their fate in pain
now
that none of us can live those days again. And though
it’s
hard to dispute that life is a house on fire where you can’t stay
long,
there
are harps of night and voices and soft winds
that
even the stars have not fingered to commemorate
the
faces and places where we lingered awhile
to
explore the immensity of a vagrant smile
that
opened like a gate and a garden
or
fell through the bars of our mortality like a file. From those
who
were wounded by the furious rose of my youth, who were lashed
by
the sudden squalls of an afflicted heart, I ask pardon
for
the nights their eyelids closed like scars and offer
this
silver herb of the moon they watered with their tears
until
something grew in the salted soil of those punishing years.
Though
late, I lay it gently on the stairs I’ve descended ever since
like
a star reflected on water or a face in the black mirror
that
never lost its innocence. It was the light that fell,
not
the darkness that everyone is convinced is hell, the dove, not the
crow
that
plummeted below. But that’s a sail for another horizon
to
keep its eyes on. The moon takes refuge in the window,
a
stone swan rippling the dirty winter glass, the eyes of an old man,
the
ruses of time, thawing to let it pass. More mercy
in
the righteous fire of the forgiving liar
that
tells himself that he is still young
than
in all the grime of proven facts
vented
from the chimney-mouth into the night
like
refugees or fingers of smoke reaching for something they’ll never
grasp.
And
are my enemies satisfied, and the women who came and went,
ingots
of hot honey poured into the mould of my bones
that
formed them into roses and knives and keys to mysterious doors,
thresholds
of pain and joy, dark and light, mountains and valleys
that
led me like a stream down from my idealistic heights
to
the great seas of being that encompass
the
enchanted dream of this island seeing? I was a poor student
of
the solitude they tried to teach me, but at this remove,
knowing
what I know of love and agony,
I
offer them my gratitude, and making a sword of the hour-hand
that
once slashed at my heart
lay
it gently in the wound that never healed, believing at last,
slow
but thorough, I understand. They were the dark masters
of
a lost art that bronzed the plaster cast of my spine
and
long since all the blood and tears that were spilled have turned into
wine
and
all that was killed has risen again like a forest, like a green
phoenix
out
of this igneous delirium of time.
I
was the first draft of a shadow I read to the blind.
Too
early to make my peace, too late not to desire ease
and
freedom from the long calling of my intensities,
the
hollow of this blue guitar, this abundant emptiness
is
crossed by power lines
attuned
to the hidden harmony of heretical black stars
that
have formed a constellation of their own on the back of my eyes,
and
there is a name for it, not said by anyone,
not
even the wise. And only the dead and children can see it rise.
PATRICK
WHITE
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