RUBIES OF BLOOD RUNNING LIKE RUPTURED
CHERRIES
Rubies of blood running like ruptured
cherries
down my arms. The night swarms
like a feeding frenzy of junkies
all in for a little taste. The heat
hangs
like something dangerous in the air
as if the atmosphere were on a short
fuse
and you can feel the fangs of its
potential bared.
Like a bear to berries, I come here for
stars.
It’s a lair of sorts for wounded wolf
hearts
gored by the moon, and it’s healing
to look upon the waters when you’re
in pain.
There’s nothing undisciplined about
the chaos here.
Everything just seems to fall into
place
of its own accord without anyone having
to explain anything to the animated
silence
about how it all works effortlessly
in an unintended harmony of living and
dying.
The trees understand like an alphabet
that’s never gone out of use, what it
means
when the wind skims through their
leaves
like the synopsis for a serialized book
of wisdom
with an ambivalent happy ending
that takes your breath away in awe.
And the waterlilies show their poems to
the stars.
The serenity here could almost seem
offensive
in its aloofness, as the genetics of
random chance
get on with fate, and if you’re
noticed at all,
it’s as a possible threat the beavers
choose to ignore.
And the white-tailed deer cue off of
them.
Not one of the wild irises clustered
like the indigo fires of the Pleiades
where the river slows down to pay
homage in passing
to the decimated groves of the fallen
birch
that lie like wrecked wharves in the
water
the turtles and the frogs could sun
themselves on
like happy freaks with no concern at
all for their downfall.
Everything acceptable as a matter of
course
with equanimity. A kind of impersonal
poise
sustained even beyond death
in the way all living things
give themselves back to things as if
they were returning to the source of
their own lives
to lavish the watershed with
inexhaustible gifts.
Moonlight on the blades of silver
swords
forged among the stars, surrendered
from a bridge between life and death
in a wordless tribute to the crossing
of the river.
Or the unsayable insights of the rocks
around here
that keep the epics of the glaciers
like enlightened haikus to themselves,
or a poet retreating into his solitude
to see if he can still remember all the
names
of the stars that were the herbs and
flowers
in the chalice of the ailing kingdom of
his childhood
and if they still had the power to heal
what the man in me has left for the boy
to feel.
PATRICK WHITE
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