PAID THE RENT
Paid the rent. Roof over
my head for another month.
Car bills coming up, and
contraband cigarettes;
got to feed myself,
provide what is needed,
address myself to
elemental concerns,
keep my body clean, my
clothes, the house, the sheets,
my wits about me on the
streets,
and my heart wary of
vagrant urgencies
that take a bride like an
ambulance to an emergency
just for the ride, and
ends up dedicating themselves like a bloodbank
to a wound that isn’t in
the book
and won’t be healed,
though I apply the moon
like a poultice,
like a scar with a dark
side that’s always concealed.
Even who I thought I was,
more life behind me than
ahead,
no more than a passing
flaw of feeling,
gusts of birds in the
groves of a sacred delirium
where the fools make fun
of the saints
and it takes ages to
understand
why the blood writes and
paints
what the spirit sees of a
world
that stains the grace of
its mystic absurdity
by forgetting how to play
with God, the faceless one.
And things are done that
rot like bells
and torture and war and
rape and winning sells
peanuts in the Colosseum
and no one knows who I am
because they’re clinging
like frost
to their own faces
in dangerously intimate
places.
And that’s okay; that’s
okay too
because I’m just an
empty lifeboat passing through
the eye of a dream that
won’t wake anybody up,
just another prophetic
crack in the cup
that proposes a toast to
its host like a grail
as we fail and fail and
fail our way through life
all the way to the top of
our decline
like a parachute tangled
in a powerline
that didn’t know how to
jump toward paradise.
And I wouldn’t advise
anyone giving or taking advice,
but I will go out and
encompass the day like an accident
that didn’t happen to
me,
and there will be moments
like mini-blackholes
that will grain my image
into the ferocious clarity
of a face that bends space
like a lens
to cloak the offence of my
rarity
among these others who are
less
than mysteriously me.
And I will confess in
lonely parking lots
that are abused like
hookers
that life is a shabby
affair with a disaffected angel
with one wing in and one
wing out
of a censored bed on a
movie-set
that can’t disarm the
camera.
But why defame the
rehearsal
if life goes on tour
without you,
tired of the timing of the
same old lines
and reruns of a mind that
was never released?
How many suns, how many
moons,
how many shadows cast by
Venus ago
was the air sweet, and the
light elated
by what it shone down upon
that grew eyes to turn the
shining into seeing,
and revelled inconceivably
in being
with nothing amiss in the
mirrors of bliss
that had never been
stained
by a suicide note in
smudge-proof lipstick
before it opened a vein
with a flick of the moon
to let its blood off the
leash like a kiss
with a passion for going
all the way?
I doubt if there’s ever
been such a day,
but it will do me no good
to widow away the grief
by treating belief to a
candle or two
that don’t cast the same
shadows I do
when I’m trying to make
sense of death
with ghosts on my breath,
and gates in my heart that
gape at the fact
that none of us are ever
coming back
to expose the disparity
between the living and the
dead.
And the day is proving
horrible
and the little light I
hoped
to lamp my way along with
is caught by the wing like
a star in a spiderweb
and I’m doing everything
right
according to the detective
in me
but I’m beginning to
suspect a clause in my DNA
has defected like an eye
through a loophole in felicity
and there’s no way left
that even I can be me
and endure this agony that
waterboards
everything I have to say
about all the things I
haven’t done
and worse, much worse, to
come, to unconfess
when I’m indicted like
reasonable junkmail
on the threshold of the
wrong address
that picks me out of the
line-up like a refugee
even though the sun pulled
an eclipse over its head
and rendered its blazing
blind to rob the dead
who lie like bad credit in
wounded wallets
trying to make the
downpayment on an afterlife.
And who knows? Maybe
there’s an afterlaugh as well
peached and primed with
salt and slime for the cynics.
Or maybe I should spend
the last twenty years of my life,
if there’s that much
left of myself to pass on,
surfing women like
channels to find one I’m on.
Or if all is delusion,
absurdity, and despair
and only those too fearful
not to, care,
and the air is noxious and
the water obscene
and the earth too bilious
to bear,
and meaning only the thorn
of the facts
and the beauty of the
wounded rose is treated
like just another heart
attack,
and powerful leaders are
seated on skulls
throwing leftovers like
people behind them to gulls
hovering in the widening
wake of their sterns
as the national garbage
barge drifts rudderless downriver
like a corpse in the
Ganges
snatched like laundry from
the line
by sacred crocodiles,
why shouldn’t I dispose
of myself like surgical waste
or crush cigarettes into
my arm in self-disgust
until I am all sunspots
and craters on the moon
or master all the tongues
of PsychoBabylon
slashing drastic alphabets
with cuneiform razors
into the moist, starmud
tablets of my flesh
like the tight mouths of
new moons
unspooling the same old
shit.
Sometimes I think I must
be out of it
to still be here, to hang
on, not to let go,
like those autumn leaves
that cling all winter
like gnostic gospels in
the snow
to the only tree they
know.
Time isn’t an abstract
concept
when it’s happening to
your face
and space is closing up
behind you like holy water
that washes you off like a
bloodstain
and heals itself
by vetting your name to
forget you
like an unwelcome tenant
at an old address.
And the day is a Nazi
firehydrant on standby
in a blizzard of ashes
from the chimneys of Auschwitz,
and even the fires in the
mouths of the lion furnaces
are disgraced by the taste
of the human deformity
that waters its womb with
glass
and bubbles with eyes that
are blown and cast
like fanatical jewels
through storefront windows
that shatter like icestorm
chandliers
and scapegoat
constellations,
or the only eye-witness to
a murder of mirrors,
or nations.
Who lacks so much light at
noon
that they withdraw like
black holes
into the bloodlines of
their shadows to hate
everything their glory
can’t illuminate?
The candle in the lamp
can’t soil the eye
and the sun burns all day
without soot
and the flowers may keep
the bees like golden
chimneysweeps,
and creosote turn to honey
in the mouth of the hive,
but genocide vents like
money and no one is left alive.
And of this infectious
darkness is the day composed
and my spirit in the
background
nothing but the universal
hiss
of the deaths of millions,
and hardly a tear,
except for the pathetic
mercy of thoughts
that come down one by one
like blunt windows
and the eyelids of the
quicker guillotines
that couldn’t stand to
look at the horror
of what a species with a
view can do to advance pain.
And there are skulls like
sterile moons among the vegetables
that blight the food the
starving grow to feed me
and atrocities in the bank
that certify my cheque
and wash the blood off
with diamonds
that shine with the lustre
of rain
in the gutters of pain.
And it occurs to me in a
shopping mall
in a flurry of wayward
consumers
that there’s always a
quota
of people somewhere in the
world
who must labour and live
and give and die like aphids
for every ant here
chatting up the cashier like yogurt.
But those are not cherries
in your cheese, my friend,
they’re body parts in
death carts, crushed hearts
in the makeshift morgue of
your pantry.
And the day takes an evil,
surrealistic twist
like asphalt and licorice
and the odour of snakes
and I don’t have what it
takes
to pull up stakes
and find a new grave for
the vampire
and every princess I meet
has already been kissed
and every rib of the child
I used to be
is the rung of a burning
ladder
that hasn’t grown enough
to rescue me.
And I’d put my hand on
the news and swear
I’m not the man in the
videocam nightmare
in the jackpot airport
with the backpack on,
tweaking his pixels with
lightning
to avenge the death of his
mirrors,
but there’s no end, no
end, no end
to this labyrinth of
bull-leaping shadows
that threads me like blood
through the eye of the needle
to mend what I didn’t
tear
like this day’s black
sail
that spiders across the
web lines of my horizons
at a slip of a stitch in
time
to poison my voice with
moonlight and lime.
And it isn’t as if I
haven’t tried to cool
these feverish jewels of
seeing
in the eyes of the dragon
sages
and worn out my share of
straitjackets
and picked the
psychological lice
out of my golden fleece on
the funny farm
as if I were panning for
mountains in the mindstream,
looking for the dicey
cornerstones of the lost worlds
that have slipped from my
shoulders like an avalanche
or the stools I’ve
kicked out from under me
when I found a good branch
to upstage the star of the
posse
like the understudy of a
dying art
that knows its part, and
hangs on every line.
PATRICK WHITE
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