STEEL TEARS
Steel tears that have hardened out of
the April showers
of crystal chandeliers I’ve shed over
the years
for others who suffered like me. Pain
makes
strange bedfellows, and when you’re
twisted up inside
with your umbilical cord wrapped around
your neck like a noose
and you know things just aren’t going
to come out right,
or strung out like some old shoelace of
dna
that’s lost its telomeres at both
ends, frayed
and trying to thread the eye of the
needle,
because all the cells in your body have
risen
from their ashes one too many times.
When
some hydra-headed anaconda of suffering
that held you in its coils like
childhood,
hunts you down again long after you
thought
you’d cut the last head off
like a dandelion gone to seed,
and you see it grinning
like a gleeful malignancy in your sleep
as it crushes the life out of you as if
you were pearl diving for the last gasp
of atmosphere left on the moon,
and you don’t even know why, if you
did,
what you did wrong that this background
universal hiss
of ancient radiation should have
held a grudge against you for so long
so cold, so vast a vacuum of starless
time and space
and then have the guile to plead
that it’s innocence is impersonal
whereas yours is immaterial.
When all your swans are swimming in an
oilslick
and the Great Square Of Pegasus is
going down
into the La Brea Tarpit like a new moon
you were betting on
to secure your passage out of hell like
a coin on your tongue
and you come to death and find out
you’ve been tragically short-changed,
and it’s lights out even before the
music starts playing
the electric requiem that keeps
shorting out
like your own personalized national
anthem of one,
and you’re too angry to feel sorry
for yourself,
just as a house fire doesn’t ask for
water to put it out,
and even when you do coming running,
it’s white phosphorus
and it laughs in your face at all your
futile heroic efforts
like your reflection in water, and
sneers like a nuclear winter
at all your transformations to stay
alive creatively against the odds,
you might do what I do and make a
mighty effort to dig
the last of my first magnitude stars
like spurs into its eyes
the way you do when you’re trying to
get a shark to let go,
befriend one of those black holes you
alienated from yourself
and ask them to come over and bend time
and space a little
and getting a good grip, break its jaws
like the pelvis of a wishbone
that got the short end of the stick
with the help of a little muscle.
When you find the wings on your heels
crushed underfoot
like a killdeer under the weight of the
world,
and all your false idols have driven
you into exile
like a scapegoat with the sins of the
tribes on your back
at the cleansing of the temples in May,
and even the Milky Way
sweeps your shining like the gift of an
unwanted child
like stars off the stairway to heaven
into a dustpan,
don’t stop to ask for an explanation,
or as the Buddha said,
don’t ask for the name of the archer
before the arrow’s been taken out, or
why
the lightning should kill the messenger
like a weathervane
before it’s had a chance to crow at
its grand entrance,
come with me, don’t wallow in what
you’ve laboured for
and lost like the afterbirth of sorrow,
or a wheelbarrow
of what’s been pulled up from the
garden like a weed
and heaped on your heart like the death
cart
of a spiritual refugee with a starmap
to nowhere.
There’s a gate on one hinge,
overgrown with wild grape vines
on the far side of the high starfields,
that’s an exit out of here
that hasn’t been used by a
domesticated animal in lightyears.
And the constellations that burn like
shattered mirrors
come to terms with their own tears like
gypsies
sitting around their own fires, and
break into flower
when you least expect it from the least
expected quarter
just to add a little auroral flare to
the affairs of the night.
And soon you’ll be up on your feet
tripping the light fantastic
in a danse macabre of fossilized
constellations
from another era of shining when the
whole sky
was a dance floor with a musical sense
of timing.
And whatever farce you’ve made of
yourself
here in your own mind is the legend
of your own ongoing creative myth of
origin there.
And the nails they’ve driven into
your old growth forests here are
tenderly removed
and the muzzled chain saws no longer
gather
at trunk of the bleeding sequoia
like snarling hunting dogs trying to
break the bones and lap the marrow
of waterproof telephone polls in the
making.
Every journey’s a lottery of small
steps you take
through a dangerous gate until you’re
on the other side
and then you hit your stride like a
white-tailed doe of light
the arrows and the shadows of life just
can’t keep up to
and take up fletching flowers just to
get back to their roots.
I’d tell you a big secret if I could,
but saying
nothing about it is the best way to get
the point across.
I’m not going to string you along
like another spiritual wavelength
from a snake oil salesman who doesn’t
even want to taste
his own medicine, too aware of what he
put into it,
to take the cure himself like a bath in
his own grave.
And I’m not saying the house is on
fire, and there’s
only one doorway out to escape being
consumed.
You could always jump out the windows
of your world view
or stay and hope you’re a phoenix
that can get used to the taste
of eating your own ashes by the urnful
or wait for the prophetic fire-ladders
of paradise
to come to your rescue as the windows
thaw in the heat
like the pent up tears of an ice-age of
bitter emotion.
I’m just saying deep within you
there’s a starfield
laid out like an embroidered flying
carpet
and at the far end of its
boundlessness, there’s a gate
hanging on a single hinge like a
killdeer or the loom
of the wild grapevines that weave them
and unweave them
like the phases of the moon, and it’s
not trying
to keep anything in or out, even if it
could
on one wing and prayer, it’s just an
entrance to a space,
the pupil of a third eye, where you’re
not asked
to scrape the starmud off your shoes
when you enter
because even though you feel your roots
are homeless
and everywhere you go you’re
walking on quicksand in an hourglass
the trees won’t ever let you forget
you still need somewhere to stand and
bloom
and come to fruition like a ripe koan
of compassion and insight into the
creative fact
that every beginning is the last step
of the return journey home.
Whether anyone’s there to believe it
or not.
Or even give it a second thought.
PATRICK WHITE
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