SNOW ON THE EYELIDS OF THE PINE-CONES
Snow on the eyelids of the pine-cones.
Zen pagodas, meditating. Snow
on the withered stars of the wild rose
hips
attaining the unattainable like Buddha
enlightened by what’s become of Venus
in the dawn.
Beauty in the truth of abject
desolation.
There’s a war going on somewhere
to judge from the number of amputations
the fingers, legs, arms, toes, hands,
the limbs of the dead trees
lying all over the ground as if the
woods
were the collapsed tent
of an army field hospital in the Civil
War.
The Fort Delaware Death Pen
if I were to take a wild guess,
or maybe Andersonville, who knows,
but I feel I’m walking more like a
warden
doing his rounds through the woods at
night
than a visitor among these who lie here
in this graveyard of wounded swans
glazed and broken like the handles
of old china shop teacups
butting their empty skulls
against the horns of a bull.
Not like mine. Pure crystal
from glassblowers in medieval Germany.
At least these get to thaw.
And you can see in the withered eyelids
of the leaves whose chlorophyll vision
was once poetically green,
now laced with strychnine and arsenic
when they burned like solar flares in
the fall,
and the curtains caught fire
like the veils of an open window
with no one’s face in it
to reveal the mystery of who she is
behind the northern lights,
the works of an entire lifetime
clacking like abandoned
fortune-cookies,
the hollow carapaces of crabs across
the silver pates of the blunted
snowdrifts
ground down like the Appalachian
Mountains,
older than the Rockies, worn down
like molars and glaciers
grinding their teeth in their sleep
but infinitely more habitable
than the nose-bleeding heights of
renown.
And yet the leaves are not wasted.
The word was spoken.
The fortune foretold
of better things to come
like pears and apples and plums.
The slow autumn dawns of poems
ripened by rising stars and falling
flowers.
Snow on the eyelids of the pine-cones.
PATRICK WHITE
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