FLYAWAY WOMAN
Flyaway woman with a blue
ladybug for a heart,
I am not your firetruck,
or the glass wishbone you break
in case of an apple
emergency when you split
like the seedcase of an
eyelid into the angelic smear
of an orchid of smoke
with dangerous doves for hands.
Leave me alone to the
night that goes on in the depths
of the praeternatural
river that threads the eye of the bridge;
and the fish that brain
the darkness with the constancy
of thoughts and
emotional lightbulbs
that keep tripping over
their hairtrigger traplines
trying to illuminate
their destiny
in the palm of the
sceptical lightning
who does a bad imitation
of God. Flyaway woman,
I could love the way you
smile as if
you had a mouthful of
coffin nails
and wanted to board the
world up with plywood
so you could live like a
rose in a hurricane
without blowing the
sandbox cities
of the peninsular children
away. Flyaway woman, tell me,
is your heart an orange
in the fridge with green sunspots,
your body a ship that
left yesterday
riding low in the water
with a hold full of broken jewelry
to trade with the illegal
immigrants
who would sell you a
continental gram
for a single bead of
rapture? Flyaway woman,
why keep the past alive
in an album of angry mirrors,
and grieve like a
wounded doe
all tangled up in a
constellation of razorwire
waiting for someone to
put you out of your misery,
when there’s more
silence
in one of the moist plums
of your accusing eyes
than there is the space
the galaxies
douse their torches in?
Flyaway woman,
I am not an arsonist in
heat
with
a bouquet of wooden matches
and
a ragged doll of gasoline,
standing on your threshold
with the smile
of a late-breaking
headline. There’s no doubt
you’re a foreign queen
in a tormented hive of
black honey, but I am not
the sticky bear that’s
come to maul your secret bees.
I have my solitudes and
voices that speak to me
like cemetery shovels just
like you; and I know the terror
of being suddenly
overturned by a sudden squall
on an ocean of seaworthy
love-letters just like you.
And it’s true that life
is often an S.O.S. in a soggy bottle
the keeps washing up at
your feet in the morning
like a dead octopus in a
kissing booth,
and there are watermelons
full of razorblades
who come on like the dawn
and toads of lust who ask you to lick their backs
to craze you with a vision
of angels rotting like sheets.
I can’t deny the
world’s a house on fire
and there are slimy
organizations of algae
that go from whore to
whore,
asking you to write off
your life
as a charitable donation
to child pornography; I
cannot say the world’s a nun,
or there aren’t scars
and skidmarks on the moon
from previous landings,
forks
that strike like vipers at
the olives in a nest,
but, flyaway woman, I am
not your nemesis,
I am not the
intellectual coathanger
that wants to tear the
embryo out of your belief in me.
I live in the dark with
terrible imaginings
and a raped ambulance
that asks me
to get the lily of her
siren to the hospital
for a blood test to prove
we die in jest,
and I can’t recall how
many dreams ago
the surgical swans and
torn peonies
last came for a change of
dressings,
the effusions of
neglected roses
bruising the return
addresses on their unbound bandages,
but flyaway woman,
there’s an eclipse in my chest,
a crow in a furnace
trying to peck its way out
like a spear,
and small scorpions of
doubt
rehearsing requiems of
bleached fire
on the keyboard of my
feelings like treble clefs,
and I am without wings
in the eternal pause of
a comma
that wants to create the
world anew from a maggot of light.
PATRICK WHITE
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