PEREGRINATION 
Mauled
by the infidel lions of savage hope; 
 my
voice looking for its wings in the ashes of heroic doves 
  who
were immolated like love letters 
in
my chronic cremation of the world that scorned me like a seed 
 and
ploughed with a razorblade, I sowed shadows on the moon 
  and
reaped a harvest of swords 
to
feed the open mouths of my wounds, a bitter, burnt bread 
 that
tasted of my own embattled blood. Well beyond 
  the
luckier stars of tamer constellations 
I
bent space into an igneous foundry of light
 and
poured myself into my work like a weapon
  that
would claim its own dark domain from the night
and
defend the coronation of my indefensible solitude to the death.
 Eventually
the madmen and the clowns
  and
the lost pariahs who drank from tainted grails, 
and
those who were consumed without enlightenment 
 at
the gates of other flames not strong enough 
  to
grant their petitions of annihilation, and the women
who
offered the vines and olives of peace with their bodies 
 but
whose eyes were declarations of war, 
  and
those who tilled their own dead planets 
and
the freaks and the criminals and the refugees and exiles, 
 and
the dwarfs of envy with their sunspots and rashs 
  came
to seek asylum on the uncertain slopes 
of
my tormented eruptions. And these were the days 
 when
islands boiled in the sea, days
  that
stiffened like dogs in their death throes 
swamped
by the firestorms that tempered their hideous nights
 under
the eyelids of the tides that flanked the bay, 
  as
skin by skin, I grew the pearl of the earth 
out
of the crude womb of the oyster slagged by the wave, 
 out
of the black radiance of a ferocious heart 
  crushed
into dark-eyed wine. I lived
as
I could among the wrack of battered coasts, 
 among
dismembered, used up things, smashed crabs,
  and
their fallen coats-of-arms, dead starfish
and
spiny sea-urchins disgorged like the garbage of heaven, 
 and
the deranged cryptic of delicate bones 
  that
could only guess at what they’d once articulated,
the
flayed pillars of amputated trees and huge molars 
 of
tormented roots twisted by sun and salt, I lived 
  and
prospered as I could 
in
an unsalvagable nation of the forsaken and marooned, 
 wholly
at home around the driftwood fires 
  of
the derelicts and castaways
who
alone had died enough 
 to
hear the oceanic lament that raved like a widow 
  in
the fathomless depths of the bells 
I
abandoned like poems. But the sea is an obvious garden 
 that
weeds itself 
  and
eventually it uprooted me.
I
followed a westerly east across the mountains. 
 Now
I listen to the small thunder of wild apples in a night squall
  dragging
its nets of rain over a thousand shattered lakes
and
the shipwrecks have turned into dilapidated barns,
 and
the shells of the hermit crabs 
  are
the empty husks of the milkweed pods 
that
have pulled the rip-cords on a blizzard of angelic parachutes
 and
the planets still cruise
  the
same upscale configurations of the stars
casing
their b. and e.’s for dogs and burglar alarms, 
 and
in every leaf I see a wave, an ocean in the trees,
  and
the wind like the tide 
still
shows life’s asperities the way to my threshold,
 but
somehow over forty years and thousands of miles, 
  the
poems have changed:
they’re
no longer bells, though, bow into the storm,
 
I still turn the wheel loose 
  to
counter the gales of the rages and sorrows 
that
overtake me; they’re prophetic lighthouses
 on
the promontories of hell 
  and
despite the fact I know the dangers 
of
those dark waters well, and once abandoned them, 
 on
the blackest of nights they’re still the only lights 
  that
don’t forsake me. 
PATRICK
WHITE
 
 
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