LONG AGO
Long ago I learned to
forgive
yesterday’s shadows
like the daggers of a
dead assassin
I melted down into bells
without occasion to sing.
I was tenderly adamant
about the need for
compassion
and hung them from the
loftiest towers
like iron fruit or rain
frozen in its descent.
Only the conceptualists
indulge in perfect
virtues
and mine, at best,
are improvised
approximations
of the dark whispers
of the blind fish
that swim in the
watersheds of my heart.
And there was no other
way
of pouring the infection
out of the wound
except by inviting the
maggots to the feast.
I reproached them all
with the wisdom of a
mirror
for relishing the worst of
me.
It’s hard to remember
sometimes
that even flies have a
dignity of their own,
if no honey,
and even the city rose
turns into an old,
well-thumbed book eventually,
an index of celebrity
desecrations.
I kept my eclipses and
dragons
up my bounteous sleeves
and took the trembling
stagefright of the stars
cowering behind their
cardboard hills seriously.
Whatever the mind realm,
whatever facet of the
jewel turning in the growlight,
whatever feather of the
spirit
soaring overhead with a
twig of fire
or groping below like a
star-nosed mole,
my heart turned into a
lifeboat, a well, a telescope,
and I hauled everyone up
and in and out of themselves
until the moon began to
look like a pulley
and there was an echo in
the siloes
of my exhortative
sufficiency.
Sometimes the galaxies
were easier to save than the candles,
but I applied my whips
and swans lovingly
I was a good oar on a
seaworthy vessel
and eventually my heart
turned into a rudder.
I launched every pulse in
the name of the unknown
and soon found myself a
stranger
in the eyes of the people
who had climbed to safety
up the nets and
rope-ladders
I learned to fashion
from my spinal cord.
I wasn’t a rudder on a
lifeboat anymore;
I was a dead shark,
dorsal down,
lethal, a meat-plough.
Nobody knew me as I was.
I struggled deeply within
myself
to assume the throne of
my isolation,
my heart freaked by the
hazard
of random lightning strikes,
challenged by demons
I could not win against,
crescent moons that broke
off
in my throat and voice like teeth.
I became the
nightwatchman
of pleading shadows laid
out
like corpses in a morgue,
a lamp in the arms of its
own journey,
while their bodies
walked around delinquently.
And the shining was black,
the light,
an eerie pollen of the
night,
an indelible soot
lasered like destiny
on the sheets and sails of
a soul I could never wash out,
a luminosity that just
didn’t open
the moths and flowers
like letters
but rewrote them, a
transformative mirror,
an eclipse of the sun
that rises within at
midnight,
an illumination that
didn’t just reflect
but
imagined the things of the world into being
and
went on changing them,
mutating them,
seer
and seen alike
on
the same side of the mirror
that suggested them into
existence inconceivably,
though there was no
existence
or non-existence
to exit or enter by.
My seeing grew cold and
impersonal,
space, a straitjacket of
glass,
my heart, an ancient
ice-berg on the moon,
and with a shriek of
mouthless perception
my blood was blanched
into flowing diamond.
I dared to look upon
suffering,
my own and the pantomime
of others,
as the flaring of a
brutal creative fire
that wracked the world in
an unwitnessed dream
lonelier than the wind
without a star or a candle.
And I knew it was saying
me
behind the mask
of every hopeless word I
uttered.
And I saw at the dark
gate
that reason was only
another peer of the realm,
and there was an
infinitude
of skys and windows beyond
that my eyes hadn’t
grown into yet,
flying like a bird into
the vision
until only the vision
remained,
and there were intimate metals in every rock
that had been confided
into being like a secret.
Reason was merely a prim
shadow
in the cosmic fire-womb
of the original madness
to make the hidden known,
whispering the world
into its own ear like a
blasting cap.
Everything exists to know
the hidden
as a robe of its own
blood,
the taste of stars in the
sap
of the sugar maples in spring,
whether the cool
mushrooms of her lips
that she offers up in
the night
under the evergreens
are dangerously
hallucinogenic,
or tenderly toxic, white
angel or fly agaric.
I found it important to
learn
what doesn’t make me
happy,
and then to learn
that there isn’t
anything that would
as I long as I persisted
in looking for the
meaning of my joy,
the replicable reason
that would let me breed
it
like a butterfly or a
silkworm in captivity.
Now bliss comes when it
does
naked and adorned,
impoverished and
squandering,
and my heart is more of an
empty, open hand
than a fist clenched
around
something it feared to
lose.
Haven’t you noticed the
sad drinkers
in the all night taverns
who age faster than the
wine in their glasses
as soon as they start
to con the god into
staying,
make a cage of the tree
to snare the elusive
nightbird
that enhances their
darkness
with a voice hinged to a
doorway of light?
And the theorists trying
to sweep
the ashes of stars
immolated in their own
light like moths
off their thresholds with
tweezers?
And those who live like
pharaohs
under pyramids of
quicksand
they’ve made of their
heart
anticipating
afterlives
that
look a lot like this one
when the bandages will
come off
like the brittle eyelids
of a shedding rose
and the bull harps will
seed the moon again
and the echo at the end
of the dream
won’t be just the
voice of another used beginning.
PATRICK WHITE
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