LAST TOKE OF THE NIGHT
Last toke of the night.
Last cigarette.
Last coffee.
Thinks with his kind of luck
they’ll put a no smoking sign behind him
while he’s blindfolded
in front of a firing squad.
He takes the garbage out
at three in the morning,
puts his one seaweed green plastic bag
next to five others
from the insurance brokerage downstairs
leaning up against a one-eyed parking meter.
Desolate small town November streets.
The red coat Scotiabank
glares at him like a U-boat in Halifax Harbour.
One drunk moving from door way to doorway
like a waterclock from bucket to bucket
as if they were all connected in his mind somehow
in series, not parallel.
Abandoned things, leafless trees,
a bad hair day for the flowers
down in the dumps
with their municipally rustic whiskey barrels.
He remembers learning several summers ago
if you put the flame of a zippo
under the petals of the petunias
they change colour better than a mood ring
and more melodramatically than a rejected adolescent.
Deep Persian blues
freaked with celestial Chinese greens
that almost made him believe at the time
that a petunia must have been a peacock in another life.
Waste, litter, leaves, traffic lights
swaying in the wind
like a trainman with a lantern down the line
trying to slow things they have no effect upon down.
Stop. Go. Pause.
The magic is gone.
Nothing moves the way it should.
The train starts mourning from a long way off
like a dog that’s lost its master.
Space is laid out like a Nazdac runway
with omnidirectional perspective
but no one’s taxied up to the tower yet
to ask for permission to take off.
He looks up.
Jupiter.
Just past zenith, southwest
of the Alley Cats Bowling sign and gym.
He lives above and one apartment down
from the narrow tunnel into the courtyard
of the old coach house where the horse culture of Perth
used to stable their overexuberant buggies.
Past the gold and soot coloured mailboxes
that look like they’ve been in a plane crash
and were waiting to be reassembled
as soon as the mailman can find the flight recorder
in the right black box.
Through three doors
up one worn flight of stairs
through an unpainted veneer and cardboard door
down a long haul past a gas furnace and a coatrack
he returns to his private chaos
nebulous with insomnia
as the counter-intuitive nemesis
of overexhaustion and the last of the good bud.
Last toke of the night.
Last cigarette.
Last coffee.
Over and over and over again
like a mantra looking for oblivion.
Nada. Nada. Not enlightenment.
He thinks of an Irish bank teller he likes
because she scares and excites him
with the possibility of her beauty and darkness.
He looks at last year’s masterpiece
propped up in the silence above his desk
but one look at his eyes
and it’s said all it’s going to say to him tonight.
Which leaves the lamps for late night conversation
but they’re about as scintillating as the coma he’s in.
The air in the room
one long pregnant pause
before the crack of dawn or doom
or whichever comes first,
he watches his mind like landfill
for any sign of his corpse.
The darkened see-through coffin of his aquarium
worthy of Napoleon or Lenin lying in state
to see the lineaments of greatness stone cold dead
where his goldfish recently died
like the Bolshoi Ballet or a comet
with an urgent dispatch for the sun
who killed the messenger as soon as it arrived.
He would have buried him at sea
for the sailor he was
but all he had was a toilet at the time
and no flag to wrap him in but cellophane.
No twenty-one gun salute.
Just the salvo of a thin gas chimney pipe
warming up like shallow heavy metal.
The indignity at the end always hurts worse
than the broken promise of a false start
but such is life he tells himself
without really knowing what he’s agreeing to.
PATRICK WHITE
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