YOUNG
Young
every breath I took in
was longer than the one I let out
but older
for every twelve inches of air I breathe in
I fall back a thousand feet
without a parachute
when I breathe it out.
I fall slowly backwards
in a crucified reverse swan dive
or a clear-cut tree
from the edge of a high precipice
into the sweet oblivion of an abyss
that is generous enough to receive me
like a good host receives its only guest.
And I’m free.
My blood burns like a poppy in full bloom
but nothing is consumed.
And I can look upon
my thoughts and emotions
copulating in the grass like snakes
without going blind
or undergoing a sex change.
And everything
even something so familiar and intimate
as a coffee and a cigarette
as I watch the smoke unspool
like a sad lazy kind of music
I can almost hear with my eyes
is estranged from me
as I am from them
and the way we once stood up for each other
like a national anthem
leaves everything feeling
like an illegal alien at heart.
Stranger than any place I’ve ever been
is the way home feels
knowing I’ll be on my way back forever
with wings on my heels
like a message I can’t deliver
from the silence of the gods.
It’s as if language had been invented
to express
what I can’t say
even to myself alone
of what I’ve witnessed in myself
about what it means
and doesn’t mean
to be a human
reflecting on the solitude
of immaterial awareness
like the moon on moving water.
It’s bad spiritual manners
to ask a mystery to explain itself
but it’s a classy kind of bliss
to wonder.
The important thing
is to touch the issue
lighter than space
as if you were reaching out
with your fingertips
to touch a loved one’s face.
Sometimes I’m a child
in her arms once more
and others
she’s a lover in the doorway
coming in out of a late night rain
long after I thought
I’d never see her again.
When she’s Isis
I’m mesmerized by stars
and when I’m
dancing in the snakepit with Medusa
I’m stone-cold hypnotized
by the effortless way
she moves to the music
you can see in her eyes
taking hold of you
as if death
were the ultimate sexual technique.
But mostly I’m alone with my molecules
wondering why
she gathered us all here
into these elaborate complexes
of conceptual derangement
if she never intended to appear in the first place.
Demonic fire-orchids
on the black waters
of shipwrecked belief
when every breath I take
blows me off course like the Spanish Armada
and she is the muse of the defeated
who were humbled
by the nonsense of power
that made fools out of them
and the virgin curse
of the rose they deflowered immaculately
as if their seed were forbidden
life in the sea
and their dead
were the subjects of bells.
And it isn’t as if
among thousands of black sails
you don’t occasionally see a white one
like Van Gogh’s lone iris
standing out like a homely white gown
among the imperial throng of the purple ones
who keep a close eye on coloured things
like an ambiguous sign of things to come
they couldn’t possibly fathom.
And deep in the bottomless abyss
with nowhere to surface
I’ve seen rainbows at midnight
that don’t depend on the sun
to show them the bright side of their sorrows
or make a lot of promises
that will run out of tomorrows
long before the day is done.
And I have recalled old times
with cracked mirrors
who didn’t care who I was
as long as I was as forgotten as they were.
And it’s a sad religion
that won’t trust its reflection
to anything but water.
I’ve seen mine standing
like a prophetic heretic
at an open window
in an uplifting fire
that burned the thirteenth house
of the zodiac down
like the kingdom of heaven
on the wrong side of the tracks.
And when I’ve turned the telescope around
and changed lenses like eyes
to call the galaxies back like refugees
long past their unknown origins
I’m staring into a well
full of fireflies
that can’t hear me when I yell
into the breathless vastness of the moment
like a lighthouse too far out alone
does anyone remember the way home?
And it’s only my voice that answers
like a lost and found
with a sense of compassion
whether you make a wish
or take a good guess
no more than time
can walk out on space
slamming the door behind it
or now can be separated from here
or a thought from the mind that conceived it
or a wave from water
or a flame from fire
or your next breath
from the one you took before it
and you can run in any direction you like
now is only as far as you can ever get from here.
And here is the back and front door
of your homelessness
just as the past and the future
are the only return and forwarding address
you’ve ever had
for this moment now
that leaves all its endless thresholds
and the frayed threads
of all the dark rivers and roads
all the bodies and shoes
it’s traveled down without
an exit or entrance in mind
standing in the doorway of an abyss
that doesn’t have one
and like you when the emptiness
strips the autumn
of all your afterlives
neither leaves nor arrives.
PATRICK WHITE
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