WRITING LOVE POEMS
Writing love poems like belated elegies
to people who died before I was born.
Missing the future as if it were already gone.
I’ve sweetened my blood like the wines of time
but it’s time that lives on
like the wine-dark sea of a blind poet.
I imagine my way in and out of things like air
and every day I wear a different atmosphere
and every night I’m naked as the moon
through the window of a sleepless room.
My dreams are ashamed of me
but my eyes can’t help but see
what isn’t there.
I’m a kind of dark energy
that shapes things behind the scenes
by pouring the stars out
like serpents of hot metal
flowing out of black matter
like ores that burn to shed their skin like light
the night’s outgrown faster than space.
And I don’t know if folly is wiser than pain
but I have suffered variously enough
to know that if you’re not wounded in life by a sword
you’ll be wounded by a plough
and that a bell can be a weapon of mass destruction
that can break the spirit of the most explosive cannon shell
that ever tried to make a lasting impact
on the bodies and souls of the innocent.
I’m not absolutely indifferent
but even the laws of relativity
feel like strangers in a large enough frame of reference
where there’s no starproof roof you can take shelter under
like classical physics
or goldfish bowl of celestial spheres
that changes the water every day like your tears.
And I’m Zen enough
not to stuff the impersonal secret of the universe
into my sentimental little heart
and there isn’t a dragon on drugs
that would venture into the unholy places I’ve been
where just to have eyes is obscene
and to look upon anything with compassion
where even the enlightened are unclean
is to hear the sound of one hand clapping
like the Buddha in the way
you killed with detachment
like a spiritual version of gangrene.
I uphold the dignity of a foolish human being
like a royal blood-line
that died out species ago
like the Sahara covered in trees
before the big freeze that crawled toward Bethlehem
like an ice sphinx older than water.
I’m a starter civilization in a skull-bound cave
scrawling paint on the walls
like grafitti from a spray can
outlining the negative space of an amputated hand
to prove I was here and human
in the presence of everything I am
that’s perpetually missing.
I think of life as a siren
that sits on top of the world mountain
like a rock in the middle of the cosmic sea
that sings to me like a fountain to a bird
to risk everything I’ve heard
in the precocious silence of my assent
as if that were always what my life was meant to say.
Yes to it all.
It’s beautiful.
It roots in us like lightning in a dark heart.
It kills us into itself like life perishing into life
like firewalks and waterclocks
we had to pass over
to get to the other side
like chickens and bodhisattvas.
It rocks the stillness at the center of things
like a blackhole in a guitar
that adjusts its strings to the light
and sings of sorrows that weep their way through the night
like wounded mindstreams
losing themselves in oceanic visions
of worlds within worlds within sight
of a drowning man
whose eyelids overturned like lifeboats
that couldn’t save him from his dreams.
PATRICK WHITE
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