IN THE SHADOW OF THE CROW’S WING
In the shadow of the crow’s wing
the night is not a reward.
In the sacred grove
where no birds sing
I stand like a homely word
a knot of flesh and blood in the heartwood
a divining rod at a fork in the river
hoping I might mean something
green and forgiving again.
It’s easier than it was before
I thought the stars had their reasons
to let go of things
not leaf by leaf
but whole seasons at a time.
It’s easier than it was before
I thought suffering was rooted in compassion
to see how the moonlight falls like lime upon the dead.
In the shadow of the crow’s wing
the night is not a reward.
There is no stone that holds
the keepsake of a magic sword by the blade.
There is no sleeve of darkness with a lucky card
you can pull out like an afterlife in Orion
to avoid losing everything.
I can draw a perfect circle
in one quick Zen gesture of the brush
and not worry about whether
I’m centered by the flow or not.
I lived on the wild side once
before I was caught by my freedom
in a crossfire of slave-hunting stars.
Now I take more pride in my smile
than I do in my scars
because I get away with more
keeping joy ajar like a door
than I do manning a war
that was lost a long time ago.
In the shadow of the crow’s wing
the night is not a reward
and happiness is a dangerous myth
that comes and goes like an itinerant religion.
And it baffles my captors completely
that I can wash them off
like the dark matter of a universe in chains
that has neatly adapted its genes
to the chromosomes of my afterbirth
as if it were the first course of the last supper
before I descended into hell
like an air-raid warning
over Sodom and Gomorrah
that didn’t take its own advice
to get out and not look back.
In the shadow of the crow’s wing
the night is not a reward
and fire doesn’t cook coal into diamonds
hard won from the darkness
like enlightenment from ore.
In the shadow of the crow’s wing
the night is not a reward
and the damned know better than anyone
who took a short-cut across the bridge
as if the river had a third side for suicides
however you fling yourself down
like a challenge and a protest on the ground
you’re still just an improvised explosive device
planted in paradise.
It’s easier than it was before
to turn myself in like a lamp to the night
for questioning the way I made my own way
in the company of gypsy fireflies
that laughed at the stars like old friends
sharing the same fire.
It’s easier to render unto Caesar
that which was never his
than it is to make amends
for the things I didn’t do
because that’s just the way it is
when the fire burns without ambition.
In the shadow of the crow’s wing
the night is not a reward
and the moon doesn’t collect silver
like rings from the dead
and there’s no raven on your windowsill
that makes the glass sweat with dread
like a bad child in a quaint nightmare.
The plough and the sword
are two phases of the same moon
that wound the flesh like soil
that is bound by toil to the seed.
False gods are worshipped in the fields
and the scarecrows bleed.
It’s easier than it was before
I gave up pacing tomorrow
in a race with today
as if I had a plan to take the lead
in a last kick toward the finish line
to leave things behind by letting them pass
like the retrograde motion of Mars
as the earth overtakes it on an inside track
doubling back on itself unawares
like the snakes and ladders of helical stairs
at the end of their beginnings.
In the shadow of the crow’s wing
the night is not a reward
and in the bleak pages
the black shales
of a forbidden holy book
that embellishes its kells like scars
no one looks for their descendants
in the fossils of the fleet-footed stars
that erase themselves like waterbirds
when they discover
how one word is lonelier than another
as you approach perfection
with nothing to talk about.
In the shadow of the crow’s wing
the night is not a reward
for those who have escaped detection
like the blackhole of a universal appetite
leaner than the light of the leftover halo
that couldn’t get its head around things
when it was discovered like lost earrings
it was just another zero in the rain
trying to avoid the blame
for its sin of omission.
PATRICK WHITE
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