On every leaf, on every tongue,
the whole history of the river
in every drop,
last autumn uncovered again by the rain
as a prelude to spring.
Will I be uncovered again
for revival; will this crimson branch
of dark arteries
be revealed again
like the ground willow
and the sodden thatch
of my broken flesh
be composed naked in the light again
after the long, heavy robes of winter,
the folds of the snow and the sky,
are flung away by the sleeper
to expose the truth of the dream?
If I was born once;
isn’t resurrection a redundancy,
or if I am unborn, a delusion,
as spring is the grandest of all delusions
to convince me I am immortal
and the only thing
that grows old without me is time?
Spring doesn’t take autumn by the arm
to help it across the ice;
and winter isn’t summer
wearing a chastity belt
waiting for her crusading husband
who follows the geese
to come back seasonally with the keys.
On the circumference
of the sunwheels and the starmills,
time incessantly grinds for me
like a huge, white, wide-eyed,
sadly powerful, well-loved ox
that labours like a bell
to strike life from the last hour of the watch
that begins and ends me world after world
like eyelids
like my heartbeat
like the soft breathing
of the spring moon at the door
after her first eclipse,
disguised as a woman
I loved long ago,
back from the dead,
back from the black fire
that covers its veil with a face.
How could anyone possibly
disappear and be forgotten
when life’s the veil,
life’s the deathmask,
life’s the blaze in your bones
that remembers your face?
PATRICK WHITE
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