Licking the blood off my claws
in a dark lair,
sharper than the dilated pupils
of an hypodermic snake,
I have answered for myself
like lightning answers the whispering rain.
Let the moon fall like an ax
on the napes of the distant hills,
or the constellations
that fall away eventually
like warped boards from the sky
rise delinquently.
I have transformed
the ox of understanding in my heart
into a bull that will no longer
be morally goaded
into grinding the corn of the villagers.
I wear their blood on my horn
like a red flag
and everywhere
their matadors lie wounded
among the blades and unpetalled plinths
of a shining that tastes
of an unprohecied eclipse.
The trouble with understanding
is that it gives birth to itself incommensurably
like a repeating decimal;
it breeds dilemmas that need to be understood.
Why replicate the matter
like some overworked gene
until you are nauseous with immortality
when one thrust of a horn, a fang, a claw,
the truth,
resolves the issue?
Civilization, morality, manners
are just scabbards,
however encrusted with jewels and philosophies
that sheath the sword of life
whose edges aren’t paginated like a book.
Sometimes there’s more mercy and clarity
in drawing the sword like a baton
than there is in a symphony of duelling scalpels.
Is it better to go deaf
when you’ve heard too much, blind
when you’ve seen enough?
Who blows out the flame to save their eyes
or cuts out their tongue as a retraction?
I am not the cornerstone
of a hospital for wounded delusions
nor the internal afflictions
that scar your afterlife
like cracks in the plaster of paradise.
And I can’t tell you who I am
because I don’t know.
Only a fool
would stop the river
to ask it if it flows.
How long has it been
since you’ve looked at your face
on the waters of a dream
and not seen the reflection of a scheme?
Haven’t you noticed those secrets
that won’t share your eyes with anyone else,
those things you’ve known since childhood
like the pets you buried in silence and lies
are wearing you for a disguise?
PATRICK WHITE
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