THE UNREFORMED LIFE OF A POET THICK
WITH SCAR TISSUE 
The unreformed life of a poet thick
with scar tissue. 
What did I write forty years ago? O ya,
la, la, 
the live ones sing, la, la. Always knew
it meant more 
than I could discern at the time but
it’s lasted 
as I have a lot longer than either of
us thought we would. 
If you persist in your ruination
sincerely enough 
light years from here, creation gets
quantumly entangled 
in your root fires and things begin to
bloom like a moonrise
you never suspected was a flower down
on its luck. 
I don’t care where you’re hiding,
everybody’s 
got something to fear, but I know you
can hear me 
though I’m not asking you to show
yourself, 
stay where you are. I’m not the
answer to 
all those secrets you keep up your
sleeve 
like an aviary of parrots you’re
trying to teach to talk, 
but have you ever given any thought to
being here 
at the indulgence of a dark mystery you
embody 
in flesh and blood, starmud sullying
the light
on the waters of life with hermetically
unstable intelligence?
I gave my word to the X on my spotted
heart 
I’d fall on it like a sword in the
name 
of the most dangerously compassionate
art 
that demanded nothing less than
everything of me 
all the time like a renewable
Promethean sacrifice 
chained to the altar of a rock by a
long, dynastic bloodline 
of hot-fingered thieves of fire. My
votive candle 
of self-immolation. Though I’m
compelled to say 
ashes are ointment on my eyes now that
my tears 
have boiled away into the more vaporous
emotions
of less revealing gnostics lost on a
sea of awareness 
without so much as a moon or a lifeboat
to stand on. 
It seems it’s got to be this way
somehow for reasons 
that happily elude me in my pursuit of
the perfect illusion 
to offset my sense of being an
enlightened eclipse 
among fireflies trying to throw a
blinding light 
on the best of my intentions. If that
accounts for anything. 
Wolf, when I’m noble, bush dog when
I’m not, 
I can change totem poles like a
shapeshifting dolmen 
when the moon is new and I’m
scavenging my way 
into an ongoing exploration of the life
of a human 
with an unwieldy mind that keeps
toppling on its axis 
like Neptune bobbing bottoms up like a
duck, 
or a waterbird, to put it more
gracefully, into its own reflection.
Is this narcissism, or the slippery
slope to solipsistic idealism 
in the first person singularly alone in
a peculiar universe?
It’s never been a purpose of mine to
make a precedent 
out of my absurdity like a law of life
that doesn’t 
inspire people to disobey it freely so
they can come into their own.
Nobody else can do your flowering for
you and expect you 
to grow to fruition. The green, bitter
apple in the chilly dawn 
of its fair beginnings is sweetened in
time by the loss 
of its blossoms, and the erotic pulse
of the windfalls of autumn. 
Pain. Was there ever a poet worth
reading that wasn’t 
a worthy candidate for what they hated
the most 
until they were house-broke into being
the accommodating host 
of it, instead of the nervous guest?
Work with it 
like a cat kneading a pillow into a
loaf of bread 
or a white-tailed buck trampling the
grass into a deerbed 
for the night. Take a hands on
approach, and grab it 
by the throat like a hydra-headed
python 
with nowhere to anchor its coils like
an oracular genome 
that gives the secret of its extinction
up 
like the open-mouthed blossoms of the
hollyhocks
swaying to the bird-bone flutes of the
wind. 
It’s ok to be a snake charmer with a
silver tongue 
as long as you don’t milk your own
fangs 
to anoint yourself in snake oil instead
of serpent fire
or die of smoke inhalation in a vain
attempt to put it out. 
Burn, baby, burn. You can’t be
beatified until 
we see if there are any ashes in the
urn 
worth scattering among the stars like
flames 
that played you like the patron saint
of dragons 
that remained true to the heretical
alchemy of their nature
like the angels that eventually evolved
their flightfeathers 
out of the repitilian sky burials of
their hereditary scales. 
Angels bear the souls of the dead south
and west 
like geese and undertakers in folksy
vests
with a timepiece like a goldwatch that
stopped ticking 
cremations ago when the ground got too
hard 
to mine it like a grave and death had
to take to the air
like a transmigration well before the
invention of back-hoes
that permitted people to be buried late
in the year closer to home. 
PATRICK WHITE
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