O LITTLE SISTER
O little sister you’re an alley-cat
alto-sax 
howling on the fire escape 
under a blue moon
that’s driven you into heat 
just outside my window
for that arsonist boyfriend of yours 
who used to puke in my potted geraniums
every time the two of you got drunk
enough
to crash across my coffee-table
laughing 
even with each other for a crutch 
you haven’t got a leg to stand on. 
I was charmed by your romantic
desolation. 
I was intrigued by how much original
sincerity 
you both saw fit to squander on a
cliche. 
C’est la vie, c’est l’amor,
c’est le guerre.
Elvis Presley is well and living in
Tweed. 
And Arthur Rimbaud is running guns 
with Jim Morrison in Ethiopia for
Al-Shabab. 
Most people work harder at hope 
than they do at achieving their
downfall
and you were a fire hydrant 
and now you haven’t got a hose. 
No pun intended 
I’ve known you too long 
to see you this upended slurring your
words 
like the simultaneous translator 
of an hourglass speaking 
out of both sides of its mouth at once.
I don’t know why he left you. 
Maybe there was nothing left to put
out. 
You burned out. 
A piece flew off your heat shield upon
re-entry.
Maybe any man who couldn’t hold his
liquor 
realizes sooner than later he couldn’t
hold you. 
I don’t know. 
Go ask my geraniums. 
They’ve got more to say about him
than I do.
You make your death bed.
You got to die in it. 
Next time build your house on stilts
in Stanthorpe Queensland 
to keep the snakes away from your
pillow. 
What can I say?
He had a shoulder on his chip 
that just couldn’t hold his end of
the world up?
And don’t get me wrong. 
I’m not laughing at your pain. 
I don’t laugh at pain. 
Pain is pain. 
Different planets. 
Different moons. 
Who hasn’t gone swimming with
dolphins
in the saturnine seas of Titan
or dropped a comet like a match 
on a methane moon of Neptune?
Endomorphs and dopamines 
can make you do a lot of funny things 
that love is at a loss for words to
justify.
Even if just for one wild night 
of occult hunting magic 
everyone longs to run with the wolves.
And howl, o little sister, you can hear
them howling
in their blood agony at the waxing moon
as if something had died within them 
that was so deep and crucial 
it tore their hearts out 
in an ecstasy of unrepentant pain. 
And many many years later 
when the solid abyss and hollowness of
life 
has grown even greater 
you can still hear their voices 
screaming like winter winds 
above the timber-line 
so high-pitched no echo 
has ever been able to reach that high
again
without shattering like a night bird 
against the mirage of the open sky in
the window.
Like you, little sister, now. 
I’m not a sump-pump for anybody’s
tears 
not even my own
but I’ve been known 
to throw a little heavy water 
on a nuclear meltdown every now and
again. 
Pain. Separation. Loss. Dream death 
you keep reliving like an afterlife in
your sleep
you’re dying to wake up from 
like a coma that’s lost everything
worth waking up to.
Not two. Not two. Not two. 
That’s the way it is here. 
That’s as far as words go. 
That’s where Statius takes over 
from Vergil on the nightshift 
and the stars nod off like children 
who couldn’t finish the story 
and the quality of the poetry drops 
as dark genius opts out 
of the company of bright mediocrities 
trying too hard to make it a better
world
than it needs to be.
For things it didn’t do. 
And in a merciful world 
that lived up to its teachings 
and didn’t shrink the heart 
with fear of its own extremes
while everything else is expanding 
shouldn’t be asked to suffer like a
placebo 
in the glands of spurious cure. 
And, yes, I know sometimes
it’s hard to keep up with the
mysteries
like the elements of life on a
geometric scale. 
How many jugulars does a woman have 
for someone to cut
like the downed powerlines 
of the Medusa’s head
for having cast the first stone at
herself?
You can wake the serpent fire 
at the base of your spine 
just above your coccyx 
the hardest bone in your body 
the little throne
the modest gravestone
you’ll be resurrected on  
when you’re summoned from the dead, 
but you can’t train love   
to bite the people you want it too
and run like an antidote to the rescue.
That’s why you’re getting high 
on your own poison right now. 
That’s why your drunken tears 
oscillate between a broken chandelier 
that’s bleeding out
and acid rain that burns like love
congealing into a new ice age. 
However deep you dig the grave
to bury someone you once really loved 
even a desert at night
when the stars weren’t looking 
wouldn’t be enough to fill it in. 
It’s a wound without scar tissue 
for the rest of your life.
The ghosts keep being pulled out of the
box 
like that  kleenex you keep using 
to dry your eyes at this seance
you’ve called on the spur of the
moment
to be appalled by how lonely it is 
to plead with the dead for severance.
PATRICK WHITE