Monday, October 26, 2009

HOW MANY YEARS.doc

HOW MANY YEARS

 

How many years have I lived in this fire

like a dragon trying to clarify

the soft, dark coal of his eyes

into cold, adamantine diamonds

in this rage of worldly vehemence

where the furnace is full of the ashes

of lambs and prophets

who couldn’t take the heat?

My enlightenment is rooted in ignorance

and fire is the only flower

to adorn the dead branch

though there are times

when I relapse into an old longing

and aspiring like a feather of flame

from an unconverted phoenix

wonder what it would be like

to smile down on nothing as cooly

as the stars in the sky that burn like Zen?

Is it in the nature

of my deranged integrity

to uphold the dignity of the unredeemed?

Intense heat. Unusual sprouts.

Bring on the demons.

Bring on the angels who have their doubts.

Bring on the words

silvered in snakefire

that pour out of themselves

like swords from a stone

to kiss water temperately on the lips.

It’s hard to believe

that this broken faith

I keep with paper

is still more honest

than the air I breathe

or that these long nightshifts in a snakepit

that I spend alone on the moon

listening like a jade rabbit

to what moves around me

like the rasp of distant nightstreams

sliding like scales through the shadows

hunting

is still less of a danger

than drinking from public grails

or that the orthodoxies of hell

that plague the hermit in his hole

with culpable visions

of chesty Florentine mermaids

on the Medicean moons of Jupiter,

are still less of a threat to the creative heretics

than the bonfire of the vanities

that steals fire from men

like a broken Prometheus

and gives it back to the gods.

So if all I can do

is abhor and uphold my freedom

to be catastrophically wrong

in a world that is killing itself

to prove it’s lethally right;

to cherish the dark ore of my heart

as much as the light that comes of it,

and scorn the lustre of the empty cornerstone

that dates itself like a pyramid

that can’t keep up with the past

as well as quicksand,

then bring on my afterlife in chains

like this one I know all too well

is a horror of light

committing atrocities against the night

it pleads to for mercy.

I will not trigger my will

to a spiritually erect gunsight

that aligns the world like a rabbit

in the crosshairs of an adjustable crucifix

and bags one for God

like the scourge and the rod

of the all in one.

It’s the art of a thief

to know how to hunt alone

in the king’s park

without getting caught

and know the mystic meat is sweeter

on the other side of the law

that won’t take a risk

than it is in the mouths of the angels, 

just as it’s a mortician’s sport

to flay the hearts of the butchers

who smoke and preserve it

to provision their afterlives

with honey in the dead hives

of the crumbling mummies

that lie in their eras of darkness

with their mouths forever open.

All my myths begin

with a slap on the ass

not fingers shorting me out into life 

like the star-crossed serpents

of the umbilical battery cables

trying to jump the gap

between heaven and earth.

And what I say to you today

is a direct quote from a tomorrow

no one will understand

except it become their own voice

that speaks from the burning bush

to the spiritually dumbfounded

about the spontaneous dangers

of nursing snakes in your exile

on the milk and manna

of human devotion.

Politicians corrupting the quality of crime

by turning laws into placemats

at the tables of the baseless cities

that eat their young voraciously

without repeal from the blod clot

that seals the heart with defection

against the insincerities of wax

that cross their hearts like heart attacks

and run for re-election.

Money worth more in the tree

than the paper in your hand

the wind blows around

like leaves and marked playing cards

in the dead-hand alleys of Wall Street.

Priests riding the hobby-horses of little boys

they’re breaking in

all the way to the next parish

as they feign their retreat from Troy

to push more pagan Greeks

through the gates of a Catholic boy.

You can feel the underground fire

eating through your roots

as the sun nukes your face

and the stars come out at night

like white phosporus

burning through your eyelids

as the rain grows bitter and caustic

waiting for a passport

like millions of refugees

to prove it’s still water.

And can’t you feel your mind

being enriched everyday by hatred

in the centrifuges

of the seething world around you

like a nugget of covert uranium

deep in your nuclear cranium

meditating radioactively

at the feet of an enlightened bomb?

And the children,

the millions of children

we leave out to die everyday

as if the whole world

had turned into the Tarpeian Rock

and we’re throwing everything born

into our vicious, elitist indifference off it

into a landfill of extinct species

that is running out of room.

Knowing what’s buried here underfoot

I can’t look up at the moon anymore

without wondering what we will bury there

and which of all her many veils

we’ll allow her to wear to her own funeral

when the cemeteries hold up their gravestones

in psychotic glee

like prompters cueing the lines

of a celebrity killer

interviewed on tv

about every lurid detail

of growing up with rabies for a mother

and a paranoia of water

that martyred

the ghouls and the corpses

you rent in agony

from their lifestream

when the moon came up from the bottom

like a snapping turtle

on the other side of the mirror

where the swans spread their wings like waterlilies

before you tore off their gowns

and pulled them down

into their sixty minutes of death.

In a virtual world

morals are supplanted

by approval ratings

that mineralize

our flesh and bones

and distance our eyes from our heart

like the pixellated indifference of aloof stars

looking down upon the horror and the hurt

like the re-runs of popular fossils

dug up like old documentaries

from the blood-soaked dirt

to fill the late night museums and morgues

with tour guides that talk

like scented candles in a skull

they’re walking us through like hell.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


I MEET AN OLD LOVER.doc

 

I MEET AN OLD LOVER

 

I meet an old lover

and it’s like returning to a poem

I haven’t finished.

Any muse can inspire beginnings

but where’s the dark muse

that knows how to fire up

these prosey endings

that never seem to ring true?

All the swords over our heads

are beginning to rust

like windchimes in the rain

even as the bamboo skeletons

of the cats and dogs

we left hanging on the back porch

go on talking to the wind

as if we’d never left.

Your absence has grown

so expansively beyond me

it doesn’t fit me like skin anymore

and sloughs me

like the boney constellation of a snake.

And though it’s good to know

I am no longer the admiral on deck

in the mizzenmast

of your assassin’s eye,

I vaguely resent the bronze way

you have of dealing with me

like the ghost of an injured albatross

badly in need of your prosthetic advice.

I’d rather have you look into my face

now as you do across the table

like the photo of an author

on the backcover of a book

you’ve already read

and didn’t really like

because it truly wasn’t about you.

But still I must love you

as you say you always will me

as we lie away the yokes of the past

as if they were foreign bridges

we had to cross

in a language neither of us understood.

And it’s all for the good, all for the good,

isn’t it

that peace has replaced

the unstable intermittency

of our savage joy

in feasting on each other like life?

And good too that the years and the miles 

have finally given us each

the aerial perspective

to blue one another into oblivion

like two birds disappearing

without misgiving

into the crowded afterlife

of what dies in the distance.

Perhaps there’s no more agony

in the seed that separates to grow

than their is in the full blown haemorrage of the rose

and it’s all just a matter of shedding

your way back into bloom

like the second full moon

in late October

that comes alone to the high fields

after the harvest is in

and we’ve reaped what we’ve sowed.

But you don’t need to know

what gravity is

to know that it keeps you down

and these days a fish

is as good a definition of water

as any I’ve ever found,

and when I look out into space

for the habitable planet

that was our bond to one another,

our soil, our atmosphere,

when I look for that star

among so many again

that illuminate loftier myths

than the tiny fury

of who we were once to each other

as if each morning laid flowers

at the door of the dark side,

I realize deeper than space

that there’s no point

looking for the universe

in a grain of sand

when I’m already thought-years

beyond the wavelengths of the black pearl

that came of never finding it

and there’s nothing

that could ever call the light back.

Love’s greatest flaw

is trying to turn its thresholds

into cornerstones

that can’t bear the load of the law

or the massive rebuttals of the heart

that shakes them into quicksand

when the mountains come down

like stone tablets

as if jury had just written

their own commandments

and the first was to bury belief in love

as if it were a faith in the light

you could only keep

with your eyes closed.

That’s why when I shine

as I still occasionally do

remembering some elation of you

like a momentary flaring in space,

I pour everything I am and am not

flowing through this boundless abyss of insight

into a single star with nothing to say

about why we are the way we are

when we finger the braille of our scars

like blind men reviewing the history

of constellations that have gone out in the night

to enlighten their study of darkness.

I shine down upon everything

under my eyelids and yours

like the last grace of our leaving

no trace of our grieving

upon these old waters

we rise from

like the ghosts of birds

or words we said to ourselves

alone in a mirror

that never answered back

and went our separate ways

like two smiles that go on for miles

without a face between them.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


I MEET AN OLD LOVER.doc

 

I MEET AN OLD LOVER

 

I meet an old lover

and it’s like returning to a poem

I haven’t finished.

Any muse can inspire beginnings

but where’s the dark muse

that knows how to fire up

these prosey endings

that never seem to ring true?

All the swords over our heads

are beginning to rust

like windchimes in the rain

even as the bamboo skeletons

of the cats and dogs

we left hanging on the back porch

go on talking to the wind

as if we’d never left.

Your absence has grown

so expansively beyond me

it doesn’t fit me like skin anymore

and sloughs me

like the boney constellation of a snake.

And though it’s good to know

I am no longer the admiral on deck

in the mizzenmast

of your assassin’s eye,

I vaguely resent the bronze way

you have of dealing with me

like the ghost of an injured albatross

badly in need of your prosthetic advice.

I’d rather have you look into my face

now as you do across the table

like the photo of an author

on the backcover of a book

you’ve already read

and didn’t really like

because it truly wasn’t about you.

But still I must love you

as you say you always will me

as we lie away the yokes of the past

as if they were foreign bridges

we had to cross

in a language neither of us understood.

And it’s all for the good, all for the good,

isn’t it

that peace has replaced

the unstable intermittency

of our savage joy

in feasting on each other like life?

And good too that the years and the miles 

have finally given us each

the aerial perspective

to blue one another into oblivion

like two birds disappearing

without misgiving

into the crowded afterlife

of what dies in the distance.

Perhaps there’s no more agony

in the seed that separates to grow

than their is in the full blown haemorrage of the rose

and it’s all just a matter of shedding

your way back into bloom

like the second full moon

in late October

that comes alone to the high fields

after the harvest is in

and we’ve reaped what we’ve sowed.

But you don’t need to know

what gravity is

to know that it keeps you down

and these days a fish

is as good a definition of water

as any I’ve ever found,

and when I look out into space

for the habitable planet

that was our bond to one another,

our soil, our atmosphere,

when I look for that star

among so many again

that illuminate loftier myths

than the tiny fury

of who we were once to each other

as if each morning laid flowers

at the door of the dark side,

I realize deeper than space

that there’s no point

looking for the universe

in a grain of sand

when I’m already thought-years

beyond the wavelengths of the black pearl

that came of never finding it

and there’s nothing

that could ever call the light back.

Love’s greatest flaw

is trying to turn its thresholds

into cornerstones

that can’t bear the load of the law

or the massive rebuttals of the heart

that shakes them into quicksand

when the mountains come down

like stone tablets

as if jury had just written

their own commandments

and the first was to bury belief in love

as if it were a faith in the light

you could only keep

with your eyes closed.

That’s why when I shine

as I still occasionally do

remembering some elation of you

like a momentary flaring in space,

I pour everything I am and am not

flowing through this boundless abyss of insight

into a single star with nothing to say

about why we are the way we are

when we finger the braille of our scars

like blind men reviewing the history

of constellations that have gone out in the night

to enlighten their study of darkness.

I shine down upon everything

under my eyelids and yours

like the last grace of our leaving

no trace of our grieving

upon these old waters

we rise from

like the ghosts of birds

or words we said to ourselves

alone in a mirror

that never answered back

and went our separate ways

like two smiles that go on for miles

without a face between them.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


IT ISN'T THE STAR THAT IS SHINING.doc

IT ISN’T THE STAR THAT’S SHINING

 

It isn’t the star that’s shining,

it’s your mind;

it isn’t the wind that’s blowing,

the flower blooming,

the sky that is gloomy,

the doorbell that is ringing,

it’s your mind.

Where else but in this unwhere

without a cognitive sign

in the black mirror

that clarifies the shining

is the whole thing happening?

And even the mind itself

is a mere missive of the mindless

that hangs this delirium of a world as you sleep

from the end of your nose

and breaks into crows of laughter

when you wake up.

You see a body.

You look for a mind

you can recognize

in the patterns of breath

on the cold glass

that smudges the view

through the windowpane.

And for a moment your emotions

are an intuitive weathervane

well beyond the wind

out of reach of your sails

as you assess each star’s affinity 

and adorn your reflection with mirrors.

And you open your mouth like a keyhole

and take a peek

into the diary of the other

and warm the old bed with the hot coals

of your firewalking simulacra

dancing again with the demons

as if they’d finally got the joke.

But it’s all still just you

priming the flowers

of your own illusions

to summon the bees on demand.

You’re drunk on the dreamwater

of an inexhaustible mirage

as you kiss your own skull on the lips

to sex the dead

who go witching

for the blood of martyrs

like broken wishbones on a windowsill

that haven’t come true yet.

But don’t feel too bad.

We’re all doing it all the time

even me, even now,

dropping this dime on myself

as if I expected a reward for the truth

that acquits me like a chameleon

in a shapeshifting court

that changes its testimony like a river

without any banks

approaching the sea.

Egypt was built on less

than it takes to convince me

that what I know of a self

I can count on

is just a imaginary guest

trying to do his best

to be as thankful as salt

for the place he’s been exalted to

by the spacious host

of a palatial water-table

entertaining illustrious delusions.

Do the scorched stones of Carthage

remember their weeds?

Have the birds returned

to look for seeds in the spring?

There’s something uncanny about logic

in the midst of all these

dispossessed cornerstones

scattered like dice

that don’t know where to begin

or what to uphold

roll after roll

seven come eleven

sooner than heaven

can go off

like a firebell from hell

against the odds of a wall

that’s already come down.

I don’t cherish my misery enough

to make it the cosmic topic

of my local newspaper

like the birth of a new religion.

So I asked God

if I believed in her

and she said, “NO”.

It was the only proof she had

that I’d been faithful

to a god that wasn’t there.

 

PATRICK WHITE