SICKENED BY THE SUPPURATING WOUNDS OF
THE AILING WORLD
Sickened by the suppurating wounds of
the ailing world
attended by political maggots who swear
they’ll 
eat the corruption out of the system,
all of it, except 
their own shit. Monostomes. They eat
with the same mouth
they enter with, and exit like toilet
bowls. Politics 
with Lyme disease, dusky yellow sunsets
in the green dragon blood
of wisdom they’ve amputated the limbs
off like a tree 
that got in the way of their
powerlines. If it’s green, 
it’s gangrenous. Barracuda chainsaws
snarling 
in an old growth forest that’s
already been crucified 
by the nails of the protesters as
Caesar renders unto Caesar 
that which is Caesar’s and no one
else’s forever and ever amen. 
Listened for a pulse in the voices of
the corporate poets 
long enough and realized the prizes go
to echoes of voices 
that sing like lobbyists on behalf of
their own egos,
in music, in painting, in science, in
life and death, 
cannibalistic viciousness like
thousands of pigs at a trough 
talking like an antiseptic mouthwash to
sweeten the stink 
of old meat on their breath like the
carrion of crocodiles. 
Go, little rainbow, and find some
oilslick to lie down upon
you can enlighten like an auroral
tattoo of a butterfly 
on the scales of a rat’s snake’s
skin. Too much Ariel 
and you’ll suffer the karmic revenge
of Caliban 
in that one big eye in the sky of your
Cyclopean 
approach to the brutal vicissitudes of
life that kiss 
the innocent good night on their
foreheads, good night like 
wasps laying their eggs on the living
host 
of tomorrow’s diminishing
Swallowtails and Monarchs 
imbibing neonicotinoids from the
fracked housewells 
of the flowers. I’ll look for you on
pills in suburbia 
o, sometime later, when you’re
retaining water 
like a bored soccer mom in the second
phase of the tripartite moon.
I’ll look into your one good eye and
I’ll know 
without you saying a word, how
creatively numb 
you had to become to litter the sunny
side of the street 
with the glitter of rainbows on the
wings of infectious houseflies. 
The mutants, the ghouls, the grotesque,
the gluttony 
of the ignorant trying to die with the
most toys 
in their war chest to address the hosts
of their victims 
as winners among the victorious ghost
writers 
who revise history to exonerate the
complicit parts 
they played in it like sophists of the
heart in an abattoir---
the mutants have taken devolution too
far for things 
to ever change except for the chthonic
outrage 
of a habitable planet shocked at the
damage done 
by guests in the house of life it
provided for them 
out of its own inner resources and a
little help from the Leonids. 
Anything goes to amuse the mob with its
own insanity. 
Bread and circuses, foodstamps and the
Olympics 
to tear down the slums of the poor to
fill the hotels 
of the mercantile cartels of tropical
Sochi. But not to worry, 
Darwin said the nations of the big fish
eat 
the nations of the little fish like
krill 
strained like bleeding blackberries 
through the baleen of bottom feeding
blue whales, 
and the little fish have to be
athletic. Exceed the record 
or perish in the favelas of Rio de
Janeiro.
Even a loser who upholds the myth of
regressive development 
by trying as hard as an Algerian
immigrant in Paris 
to make a living that wouldn’t make
his family ashamed of him, 
can win a place of affection in the
hearts, 
if not the hall of fame, by echoing the
same defections 
in the heartlessness of the audience
that applauds him 
like a little guy trying so hard
against the odds 
of the debilities they’ve imposed
upon him, they 
almost remember what it was like to cry
for themselves sincerely. 
And here comes the press, the fourth
estate, engaged 
in checking and balancing the lies of
the other three
as a safeguard on democracy like
celebrity paparazzi 
salaciously whimpering platitudes over
a newsworthy corpse 
they’re interviewing like blackflies
on live tv. Why not 
talk directly to the guys who own the
freedom to speak 
like the stem cells of their iphones
cloned as 
the Wizard of Oz making a big noise
about nothing 
behind the mythically inflated
misquotes of mosquitoes 
humming in their ears behind the story
like bloodbanks 
at the beginning of a food chain with
the logos 
of peacocks, third eyes, alphabets, and
bare initials
carved into the bark of compromised
lovers 
who forgot what their names were for a
long time ago.
Sick of it. Not ill. Sick. Like a fish
swimming 
in the polluted waters of life at the
infectious stage
of a nuclear reactor throwing plague
rats into the watersheds
of water being life, life being water
if you’ve ever watched
the flowing comets of goldfish in an
aquarium late at night for long. 
Sick of the strong stepping on the
throats of the weak 
like snapping turtles at the jugulars
of wild swans.
Sick of the asylum, the hospital, the
drugstore, the funeral home
the old and disabled retire to when
their benefits are cut off 
like neurons from hydro, their
redoubtable wisdom 
unable to keep up with the payments on
technology.
Sick of the bumper crops of
pharmaceuticals threshed 
like genetically modified grains of
wheat when the moon is full 
and the emergency wards are howling
like extracurricular ambulances
they put on in Montreal like banshees
at a harvest barn dance
and the violins are shrieking like
hysterical crackheads 
for more drugs to put them out of their
misery 
like the mercy of administrative angels
on the psych ward.
Someone should publish a dream grammar
for the sacred syllables 
of our mother tongues raging like
offended flower vendors 
in the shadows of the Tower of Babel
and market it 
to the tourists so they don’t get
burnt buying a rose 
with more thorns than petals in the
souk before 
the bomb goes off like house nails
reroofing 
the leak in the shelter of the Lord
like the meteor showers 
and lightning strikes at the children
of Sodom and Gomorrah
who don’t have a chance of growing up
to be 
a mahdi, a messiah, a hidden imam,
exilic patriarchs 
commanding all foreign wives be put
aside, 
a purging of brides heuristically
unchosen by a choosey God 
as a template for problem-solving
extemporaneous
marital affairs. Who dares rend asunder
what love 
has joined together? The weld is
stronger than the original bond.
As the alloys that transgress the
limits of the pure element
usually take a sharper edge honed on
the wheel of birth and death 
than the copper chisels blunted on the
pyramids,
dead, dead, dead, innocent and green as
moldy bread. 
Sick of the disappointments and
diminishments 
of my humanity. Sicker still of the
cloying nostalgia 
for what it used to be when the heart
was a cause celebre
and not the passing effect of some
random circumstance
massed against me like a god particle
or birth defect
that’s difficult to detect. I’m
here. Where are you?
Not cool, o no, to be disowned by the
guildhalls 
and literary cults with their
unaffordable sentiments 
trying to raise awareness of their
trivialized art 
like the icons and memes of quasi
revolutionary saints 
parading through Red Square as if life
were just 
one big chequered table cloth spread
out on a sunny spot 
in the grass that isn’t as green as
it used to be 
before they started making the homeless
pick up 
their own corpses as if they were
fouling the foot path.
Not a good space, not pleasantly
germaine
to the comas of taste flower-arranging
chaos 
to go with the urn on the mantle, still
too hot to handle, 
though it’s beginning to flatline
like a dragon that’s flown the coup 
or a phoenix in an aviary that sings as
if it caught the croupe
from a nightingale with a crown of
thorns for a larynx. 
Sick of living in a shallow time, in a
car pool of shore-huggers
who believe it’s enough to shed a
tear or two 
to claim they, too, were washed ashore
like piratical survivors 
who braved the perfect storms on the
great night seas 
of sorrow and awareness. Sometimes I’ve
just got 
to get the abyss out of the universe
deep inside, 
lance the abscess, trepan the prophetic
pressure 
of the dying planet of my uninhabitable
skull 
with all its shepherd moons
volcanically, expurgate
the ambergris of a sperm whale like a
more honest
fragrance of perfume, stick my finger
down my throat 
like a vomitorium in a Colosseum where
roses of blood in the dirt are being
pruned 
and tied back like the tree in the moon
by 
dead head gardeners in a high-walled
abbatoir
fascinated by the avant garde
aesthetics of blood spatter.
Got to get it out like the Oxyrhyncus
sayings 
of Jesus Christ, or the Freudian
dowagers 
of sex-crazed Vienna at the end of a
neurotic empire, 
or the thorn of the moon in my third
eye
I gouged out like the semi precious
stone 
of a planet embedded in its orbit like
an electron
or an engagement ring leftover from an
ancient love affair
so as not to be destroyed by what I
don’t bring forth.
Out, out, through the emergency exit
door 
of my therapeutic puncture wound, sick
of living
in a shallow time where what’s
written off
as the effluvium of the heart in the
ditches of inspiration 
reeks more sincerely of human content,
than what
the mouthwashes and famous deodorants
are writing about
as if the stink of enlightenment were
the wise 
passing cosmic gas just enough to
inspire a jackass 
to bray like a book with a carrot in
front of its nose
that grows like lies in the heartwood
of Pinnochio’s. 
When your imagination has so little to
reveal to you
why try to expose it as if it were real
by acclamation? 
PATRICK WHITE
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