Monday, October 15, 2012

EVERY INSIGHT, THE BIG BANG, AND THE THOUGHT THAT FOLLOWS, A UNIVERSE


EVERY INSIGHT, THE BIG BANG, AND THE THOUGHT THAT FOLLOWS, A UNIVERSE

Every insight, the Big Bang, and the thought that follows, a universe.
Every image that flashes across the moonscape like a silhouette
in reverse of the dark matter and starmud that surrounds it,
a black swan among the white when there’s snow on the river.
Worlds bubbling out of the mouth of a fish through a hole in the ice
that looks like the third eye of a glacier taking a long, hard look
at whether it was worth opening all those lakes
and then filling them like eyes with the runoff of its own tears
as it disappears into a more fertile approach to letting go of itself.
I could always see a human shape hidden in the landscape
and I wanted to free it so I scraped and gouged
and dug my way into it like a dog unearthing the fossil
of a distant ancestor that ran with the wolves.
Even now when their ghosts howl it’s a sad ballad
of the lyrical hills going mad by themselves
and sometimes it breaks my heart like water
in the cleft of a pseudomorphic rock to write picture-music
in striated cuneiform on the cliff faces to sing to themselves
like a lost people with more legend than life in its veins.

I can take a single thread and weave it into a flying carpet.
I can take a string theory and make it resonate with membranes
that occasionally break their eardrums like water from a womb.
There are protocols of the imagination that have been imposed
by iconic means like straitjackets fitted to the inside of your psyche.
Cuckoos in your nest, memes in your mind,
nudging your cosmic eggs out to smash on the rocks below
like the stillborn of the sun. Embryos and fractals,
astronomical forensics sweeping the night sky for fetal stars,
hidden paradigms ferreted out like secrets
that will bloom each in their own good time
like the mysteries of life unravelling
the sequel of a waterclock that keeps on outliving itself
by transcending its own emptiness by pouring itself out
like a serpent that’s always shedding its own skin
or a zodiac confabulating a false dawn
of mythically deflated metaphors, red giants
burnt out into black dwarfs and sink holes
where the stars plunge like butterflies into
the gaping maw of the dragon that consumes them like krill,
knowing its destiny, too, is just a provisional scaffolding of quicksand.

Yes, but how many make it all the way through
like wild salmon responding to the death call
of the spawning ground on the far side of the white hole
when the hourglass gets turned around like a fountain
instead of leaking out of a mortal wound in the side of the universe?
The morphology of knowledge is the history of shapeshifters.
Cosmology is an aesthetic expression of enculturated preferences.
Zero among the Hindus the form of the abundance of their emptiness.
Among the Greeks, a political exile. And for a Westerner
far sighted enough to see in aerial perspective,
the bluing of a way of life that’s always over the next hill.
Sight is a kind of love I once read on a poster the sixties.
So astronomy for poets. And poets for astronomy.
Observatories on forbidden mountain tops
opening their eyes like blind prophets to the visions
engendered by a seven year eclipse of their visuals.
Who hasn’t stepped out of their own well lit doorway
and walked up to the high field on a cold winter night
and watched their breath mingle with the Milky Way
like a tributary of a river on intimate terms with the mindstream
we’re all flowing into like red-tailed hawks
riding our own thermals for the sheer joy of it
down the helical stairwells of our own polished bannisters of dna.

Twenty years a Druid in a vatic college learning
to speak to trees in the demotic of their own alphabet,
poetry isn’t the calling of a clown or a gleeman
amusing the whimsical caprice of the king’s court,
it’s a summons to risk your life exploring the mystery
of every facet of what you’re doing here turning jewels
like stars in the translucency of your own light
reflected in a brainstorm of parabolic mirrors that bloom at night.
Haul yourself up out of your tidal pool of awareness
into the rarefied bliss of a whole new medium that exceeds
the planetary boundary stones of the space time continuum
you’ve been so far, by devoting your disobedience
by bringing back enlightened serpent fire
from the hearths and the middens in the starfields
of the gods who first domesticated it like a selective ordeal of birth
in the imagination of a hungry human thief enough
to root a new kind of lightning in the earth that bears
all the birthmarks of the compassionate fruits of insight
into the nature of a mind that embodies all this
as if one moment the crescents of the moon were scars on its eyes
and the next, the talons of an owl flying out of the abyss in the grip
of a nocturnal imagination that’s as wise as it is dangerous.
All my thoughts have fingertips. Blood your abstractions.
Lavish your mindstream on the available dimensions of the future
as if what you wanted to achieve were already behind you
like a star in pursuit of an earthly excellence.
Humanize the uninhabitable as if it were just
another room in a spatially enchanted palace
you haven’t finished yet like Thomas Jefferson.
If you look for the cure in the heart of the disease,
by corollary, look for the disease in the heart of the cure
like the lesser vehicle in a pathology of grails.
Safer to drink from your own skull to an eclipse
that patched the eye of the moon with the crossbones
of its colours, than sip rainbows from the goblets
of lilaceous irises blooming like an effulgent halo
around the pupil of a black hole on a starless night
anticipating a cadaverous moonrise
like the dark beginning of death breaking into
the unimaginable radiance of another side to all this
that makes the light seem a mere carbon copy
of the shining that can be emanated by an enlightened mind
that never hesitates to contaminate the purity
of its numinous ignorance for the sake
of opening the gate like an exile to a secret garden
everybody must enter at the crossroads of a threshold
without the screening myth of a backdoor to duck out of.

PATRICK WHITE

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