Tuesday, April 17, 2012

STEEL TEARS


STEEL TEARS

Steel tears that have hardened out of the April showers
of crystal chandeliers I’ve shed over the years
for others who suffered like me. Pain makes
strange bedfellows, and when you’re twisted up inside
with your umbilical cord wrapped around your neck like a noose
and you know things just aren’t going to come out right,
or strung out like some old shoelace of dna
that’s lost its telomeres at both ends, frayed
and trying to thread the eye of the needle,
because all the cells in your body have risen
from their ashes one too many times. When

some hydra-headed anaconda of suffering
that held you in its coils like childhood,
hunts you down again long after you thought
you’d cut the last head off
like a dandelion gone to seed,
and you see it grinning
like a gleeful malignancy in your sleep
as it crushes the life out of you as if
you were pearl diving for the last gasp
of atmosphere left on the moon,
and you don’t even know why, if you did,
what you did wrong that this background universal hiss
of ancient radiation should have
held a grudge against you for so long
so cold, so vast a vacuum of starless time and space
and then have the guile to plead
that it’s innocence is impersonal
whereas yours is immaterial.

When all your swans are swimming in an oilslick
and the Great Square Of Pegasus is going down
into the La Brea Tarpit like a new moon you were betting on
to secure your passage out of hell like a coin on your tongue
and you come to death and find out
you’ve been tragically short-changed,
and it’s lights out even before the music starts playing
the electric requiem that keeps shorting out
like your own personalized national anthem of one,
and you’re too angry to feel sorry for yourself,
just as a house fire doesn’t ask for water to put it out,
and even when you do coming running, it’s white phosphorus
and it laughs in your face at all your futile heroic efforts
like your reflection in water, and sneers like a nuclear winter
at all your transformations to stay alive creatively against the odds,

you might do what I do and make a mighty effort to dig
the last of my first magnitude stars like spurs into its eyes
the way you do when you’re trying to get a shark to let go,
befriend one of those black holes you alienated from yourself
and ask them to come over and bend time and space a little
and getting a good grip, break its jaws like the pelvis of a wishbone
that got the short end of the stick with the help of a little muscle.

When you find the wings on your heels crushed underfoot
like a killdeer under the weight of the world,
and all your false idols have driven you into exile
like a scapegoat with the sins of the tribes on your back
at the cleansing of the temples in May, and even the Milky Way
sweeps your shining like the gift of an unwanted child
like stars off the stairway to heaven into a dustpan,
don’t stop to ask for an explanation, or as the Buddha said,
don’t ask for the name of the archer
before the arrow’s been taken out, or why
the lightning should kill the messenger like a weathervane
before it’s had a chance to crow at its grand entrance,

come with me, don’t wallow in what you’ve laboured for
and lost like the afterbirth of sorrow, or a wheelbarrow
of what’s been pulled up from the garden like a weed
and heaped on your heart like the death cart
of a spiritual refugee with a starmap to nowhere.

There’s a gate on one hinge, overgrown with wild grape vines
on the far side of the high starfields, that’s an exit out of here
that hasn’t been used by a domesticated animal in lightyears.
And the constellations that burn like shattered mirrors
come to terms with their own tears like gypsies
sitting around their own fires, and break into flower
when you least expect it from the least expected quarter
just to add a little auroral flare to the affairs of the night.
And soon you’ll be up on your feet tripping the light fantastic
in a danse macabre of fossilized constellations
from another era of shining when the whole sky
was a dance floor with a musical sense of timing.

And whatever farce you’ve made of yourself
here in your own mind is the legend
of your own ongoing creative myth of origin there.
And the nails they’ve driven into
your old growth forests here are tenderly removed
and the muzzled chain saws no longer gather
at trunk of the bleeding sequoia
like snarling hunting dogs trying to
break the bones and lap the marrow
of waterproof telephone polls in the making.

Every journey’s a lottery of small steps you take
through a dangerous gate until you’re on the other side
and then you hit your stride like a white-tailed doe of light
the arrows and the shadows of life just can’t keep up to
and take up fletching flowers just to get back to their roots.

I’d tell you a big secret if I could, but saying
nothing about it is the best way to get the point across.
I’m not going to string you along like another spiritual wavelength
from a snake oil salesman who doesn’t even want to taste
his own medicine, too aware of what he put into it,
to take the cure himself like a bath in his own grave.
And I’m not saying the house is on fire, and there’s
only one doorway out to escape being consumed.
You could always jump out the windows of your world view
or stay and hope you’re a phoenix
that can get used to the taste
of eating your own ashes by the urnful
or wait for the prophetic fire-ladders of paradise
to come to your rescue as the windows thaw in the heat
like the pent up tears of an ice-age of bitter emotion.

I’m just saying deep within you there’s a starfield
laid out like an embroidered flying carpet
and at the far end of its boundlessness, there’s a gate
hanging on a single hinge like a killdeer or the loom
of the wild grapevines that weave them and unweave them
like the phases of the moon, and it’s not trying
to keep anything in or out, even if it could
on one wing and prayer, it’s just an entrance to a space,
the pupil of a third eye, where you’re not asked
to scrape the starmud off your shoes when you enter
because even though you feel your roots are homeless
and everywhere you go you’re
walking on quicksand in an hourglass
the trees won’t ever let you forget
you still need somewhere to stand and bloom
and come to fruition like a ripe koan
of compassion and insight into the creative fact
that every beginning is the last step of the return journey home.
Whether anyone’s there to believe it or not.
Or even give it a second thought.

PATRICK WHITE

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