Monday, September 19, 2011

YOU PHONE ME UP AFTER ALL THESE YEARS

You phone me up after all these years

drunk and coked up

hot enough to blow glass

and ask me to forgive you

for things I didn’t even know you’d done

until you showed up at my funeral

with more mascara than tears on.

You turn the tap on

and it shrieks like a banshee in the rain

and then there’s a few moments lag time

until the blow back in the pipes

of a great apartment to burn to death in

groans like a foghorn in the desert.

In Perth they put the slums upstairs

to buff their coke in butter urns

just like the pioneers.

But I live like one of the livestock

they brought over on the boats

to go wild in North America

until the whole Sioux Nation

is mounted on winged mustangs

that refuse to be broken

in inspiration and spirit

even when they’re spurred in the eyes

by night riders with stars on their stiletto heels.

You want to know

if I might want to see you again

and I can hear you flipping your zippo

as if you were ejecting

the cartridge of a spent shell

like the coffin of a corpse buried at sea

to ignite the flame of love again

as I recall last time went out

twenty minutes to forever

after it was lit like a love lyric

to burn for eternity.

Now you want to see if it can live longer

on the ghosts and ashes of seasoned desires

than it did on the pyres of elephant bones

you dug up from the graveyard

like the memories of old lovers

to cremate your pet mouse by the Ganges

to give it an afterlife as big as the Taj Mahal

compared to that hole in the wall it used to cower in

for the few crumbs of the dreams

that used to fall from your eyes

into a coke spoon in the morning

like shining from cooked foil

to give an ironic twist to a line from Hopkins.

The black widow with the hourglass on her back

wants to know if she’s lost her sense of timing.

If she can still wake up from her coma

like a ravenous alarm clock

to eat her mate in the throes of sexual rapture

before he can dismount

and scamper away into the sunset

like an eight-legged easel

that paints a picture of itself

running back into a burning barn

like a horse that knows its way home.

The aging undertaker

wants to purge her crematorium

of the smell of burning flesh.

I want to tell her

that perishing isn’t so much

a matter of forgiving and forgetting

as it is a thorough exorcism of everything.

But I bite my tongue to spare the young and say

I was the one who put my heart in harm’s way

like a small warm mammal

thinking the same flute

I used to charm the spitting cobras

could teach an anaconda in pantyhose to lap dance.

You say you had two kids with the same biker

as if that were some kind of new norm for you

but then the government stepped in

and took the two kids and the biker into care.

And you’re on your own now

with no one who knows you the way I do

to ease your inconsolable despair.

And I don’t want to

but I remember how painful it was

patching that deflated vision of you up

when it went flat as a bicycle tire

by gluing my eyelids to your skin

like Japanese plum blossoms

over the holes in your inner tube

that kept letting the air out of the coils

of a Burmese constrictor

that couldn’t find a heart anywhere

to anchor its fangs in

and crush the life out of

and had to settle for the butt-ends of its own tail.

You were always a lamia

picking on sickly knights

who came to your rescue

but you occasionally appeared

almost human to me

whenever you were baffled to tears

realizing as your nerves went off the grid

like Sleeping Beauty

as the spiked apple fell from her hand

(Or was it a thorn she pricked herself on?)

even a full moon isn’t immune

to the poison glands of her own crescents.

And there’s no known antidote

tucked like sweetgrass

in the medicine bags of anyone’s balls

that can do anything for you

to break the fever

except offer them to you like a placebo

knowing the cold sweat of your nightmare

is as terminal as the dew

on the last flowers of autumn

when your blood drops below zero.

You ask me if I remember

when I first saw you

pole-dancing in Vanier

to pay your way through university.

A stripper into kundalini yoga

you wrapped your body

around the axis of the earth

like two wavelenghths

of synchronous serpent-fire

winding its way up the spine

of the winged cross

tattooed like a medical symbol

on the arm of that all night pharmacy

you called your boyfriend at the time.

One to afflict the wound with desire

and the other to heal it

by opening all its chakras at once

like a chimney-fire

making the pipes glow cherry-red with lust.

The silver thread of the moon

interwoven with the golden thread of the sun.

But it’s been a long time

since the tapestry

of that flying carpet came undone

and though Aladdin’s magic lamp still burns

it shines like a night light

in a morgue among the urns

of the afterlives

of a phoenix prone to nightmares.

So, yes, pop over if you want.

Sit down.

Unburden yourself like a volcano in therapy

and I’ll try to show you as I always did

the tropical islands that became of all that fury

when things cooled down enough for birds.

As the Oxyrhyncus sayings of Jesus Christ point out

what you bring forth will save you

and what you don’t will destroy you.

You can take the same approach to i.e.d.s

if you’re enough of an apostate not to kill.

Whether you’re a junkie

a wise-guy or a terrorist.

Not to make the hit

and then frame God for it.

PATRICK WHITE

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