Sunday, January 18, 2009

SCATTERING

SCATTERING


Scattering black sunflower seed

like the eyes of words

out over the snow

for the squirrels.

Birds watching

high above the page

for an entrance on stage.

Food and empathic renewal,

fuel and the ferocity of life

a softer knife than the ice

because of my sweeping generosity.

I like to thaw things,

turn the brittle supple,

swords into the blades

of the wild irises

that burn like hydrogen

beside the stream,

snowmen that flow

out of themselves

like candles

until all that’s left

are the stones they relied on for eyes.

Stones have their clarities

but seeing

is a very subtle kind of water

that knows reality is not solid

and the light of a single firefly

is hot enough

to melt the planet.

And then like early spring in Perth

when the snow goes

it’s November all over again.

I see everyone alone with themselves,

sad intimates of the shadows

that forsake them like evolution

the moment they cry out

like leaves on the stream to endure.

Maybe it’s one medium to the next

as we’re transformed

by ever more rarefied spaces

that denude us like light from our ions

into luminous bodies with auroral faces

that open like one-night enlightened lilies in the starmud,

or maybe it’s just the death-leap

of the next apple into the bottomless abyss

of a darkness deeper than death is aware of itself.

Conjoined again in the primordial atom

would we feel the same snakepit

of self-rejection

and begin the universe again

by cracking out of the cosmic glain

like serpents with wings in the trees

oxymoronically bound

to the fires above

and the waters below?

Or does one universe pour into another

like a waterclock of insight

that flows on forever

like a snake or a river

through the length of itself

like one inexhaustible thought

with its tail in its mouth?

If so, there’s nothing to know

because the whole and the all of everything

is in every seed I throw to the squirrels,

like the universe in these grains of sand

quick with life

that look back at me warily

like an unspoken rosary

of black-eyed pearls.

Worlds within worlds.

But if there’s nothing discrete

about a mind that can’t be defined

then why the distinction in the first place

and why these fingertips, these eyes, this face

that keeps on trying to see itself like the moon

from the water’s point of view

as if the urgency of the tides in the mirror

were the brides and the oceans

of its own lost emotions, reflected?

There’s more to feeding squirrels

than I suspected.


PATRICK WHITE


















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