Friday, July 9, 2010

TRYING TO CRAWL

TRYING TO CRAWL

 

Trying to crawl back into myself

like a long birth canal

into a cathedral cave

to see what I really feel

about the symbols and totems

I painted in my own blood

like writing on the wall of the womb

that gave birth to the world that I am.

Picture-music.

Shamanistic grammar.

Hunting magic.

A brief man’s need

to make a lasting impression.

Carnal graffiti and spiritual tatoos.

I was here once

and here’s my hand for proof.

Its fingers are splayed

like the rays of the rising sun

and it isn’t asking for anything.

I was formed out of the mutability

of the negative space

that surrounds dark matter like light

when evolution colluded

to experience one of its experiments

as if it were looking through my eyes

at a stranger’s insight

and the face I wear in the world

were no more my own

than the reflection of the moon

belongs to the water that mirrors it and moves on.

So I went looking for my true self

and found it in everyone else

though no one ever recognized it in me

because they were all looking in the wrong direction.

Put two eyes on zero like dice

and you might be surprised

at what you can see

through the eyesockets of a skull

rolling seven come eleven

again and again

on the blind side of pain

after snake-eyes

in a back-alley up against a cave wall.

Running my luck

is my way of asking God

if she still loves me.

But even when she says she does

her answers are often hurtful and strange

and there’s more gate than garden

in the way she takes chances on me

I wouldn’t if I were her.

But I’m not trying to preserve what I’m not

from passing away

when the moonlight burns

like lime on Mozart’s skin

and I’ve got nothing

to tell the outside anymore

about the in.

I pulled doves

out of the sleeves of a black magician

having mastered every mystic eclipse

of infernal insight known to the human

that mentors the demon within

and sacrificed them to their freedom

like words on the voice of the wind

that said them with care and devotion

like butterflies in a dragon’s mouth

that had turned its roar into a whisper

and its teeth into the petals of a crazy flower

that may not have bloomed right

but gave them a place to land

and drink from the acids in my mouth

I had gentled into nectar.

Why is gratitude always a child

that dies young?

Why is it we prefer to be good

but when we’re in a bad fix

more than many defer to evil?

The pillars of pagan temples

fall like yarrow sticks

and everything’s written

in the Book of Changes

like the secret history

of fire on water

or that tale that always

ends at the beginning of things

like a ghost at the broken window

of an old abandoned myth of origin

that people have grown too clever

to believe in anymore

and walk by without looking

for fear they might see someone

like themselves

who’s been as vastly misunderstood

as life has

by the holy books that line their shelves.

Civilized people lost their tails

talking like fossil seabeds

on a mountain top

as if they were the Burgess Shales

and didn’t know like life

when to stop

or which side was down

and which side was up

as they backtracked on their ancestors.

They climbed spinal ladders of bone

they hoped would come to their rescue

before the fires of life consumed them

like trilobites and enlarged craniums

in the bigger picture of things

that pulls feathers out of the flames

like names from that lottery of words

that turns the thunder of tandem dinosaurs

into the forbidden nightsongs of random birds.

Blissed out without an ego for a thesis

in the abyss of it all

enraptured with the nature of things

as they are

when they listen

like unmovable stars

to the music of my inner vision

when I don’t fall back on a sad decision.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


TRYING TO CRAWL

TRYING TO CRAWL

 

Trying to crawl back into myself

like a long birth canal

into a cathedral cave

to see what I really feel

about the symbols and totems

I painted in my own blood

like writing on the wall of the womb

that gave birth to the world that I am.

Picture-music.

Shamanistic grammar.

Hunting magic.

A brief man’s need

to make a lasting impression.

Carnal graffiti and spiritual tatoos.

I was here once

and here’s my hand for proof.

Its fingers are splayed

like the rays of the rising sun

and it isn’t asking for anything.

I was formed out of the mutability

of the negative space

that surrounds dark matter like light

when evolution colluded

to experience one of its experiments

as if it were looking through my eyes

at a stranger’s insight

and the face I wear in the world

were no more my own

than the reflection of the moon

belongs to the water that mirrors it and moves on.

So I went looking for my true self

and found it in everyone else

though no one ever recognized it in me

because they were all looking in the wrong direction.

Put two eyes on zero like dice

and you might be surprised

at what you can see

through the eyesockets of a skull

rolling seven come eleven

again and again

on the blind side of pain

after snake-eyes

in a back-alley up against a cave wall.

Running my luck

is my way of asking God

if she still loves me.

But even when she says she does

her answers are often hurtful and strange

and there’s more gate than garden

in the way she takes chances on me

I wouldn’t if I were her.

But I’m not trying to preserve what I’m not

from passing away

when the moonlight burns

like lime on Mozart’s skin

and I’ve got nothing

to tell the outside anymore

about the in.

I pulled doves

out of the sleeves of a black magician

having mastered every mystic eclipse

of infernal insight known to the human

that mentors the demon within

and sacrificed them to their freedom

like words on the voice of the wind

that said them with care and devotion

like butterflies in a dragon’s mouth

that had turned its roar into a whisper

and its teeth into the petals of a crazy flower

that may not have bloomed right

but gave them a place to land

and drink from the acids in my mouth

I had gentled into nectar.

Why is gratitude always a child

that dies young?

Why is it we prefer to be good

but when we’re in a bad fix

more than many defer to evil?

The pillars of pagan temples

fall like yarrow sticks

and everything’s written

in the Book of Changes

like the secret history

of fire on water

or that tale that always

ends at the beginning of things

like a ghost at the broken window

of an old abandoned myth of origin

that people have grown too clever

to believe in anymore

and walk by without looking

for fear they might see someone

like themselves

who’s been as vastly misunderstood

as life has

by the holy books that line their shelves.

Civilized people lost their tails

talking like fossil seabeds

on a mountain top

as if they were the Burgess Shales

and didn’t know like life

when to stop

or which side was down

and which side was up

as they backtracked on their ancestors.

They climbed spinal ladders of bone

they hoped would come to their rescue

before the fires of life consumed them

like trilobites and enlarged craniums

in the bigger picture of things

that pulls feathers out of the flames

like names from that lottery of words

that turns the thunder of tandem dinosaurs

into the forbidden nightsongs of random birds.

Blissed out without an ego for a thesis

in the abyss of it all

enraptured with the nature of things

as they are

when they listen

like unmovable stars

to the music of my inner vision

when I don’t fall back on a sad decision.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Monday, July 5, 2010

DON'T CARE IF I DO

DON’T CARE IF I DO

 

Don’t care if I do don’t care if I don’t.

I’m letting go of the spinal cord

I’ve been hanging on to for years

to pull myself up over the edge of my mind

safe at last safe at last safe at last

to enjoy the view

like a man standing upright on a precipice

without a gnawing urge to jump.

One mile up is one mile down

and letting go

is my only way of hanging on.

Letting myself go over the cliff

will I revive from my annihilation like water?

Will daring say feathers and falling take flight

or will the lights just go out

before the movie begins

and I’m inconceivably not there to see it?

The abyss of my calling

is an intimately impersonal voice

that whispers of other dimensions

just under my skin

well within the comprehension of jumpers like me

who have fallen so long through the same blackhole

they’ve reversed directions

and now they’re falling up

as if a course correction

had been beamed up to Icarus

and now he were plunging into the sun like a spent satellite

sending little blips and beeps back

like illuminating details of his annihilation

not knowing if anyone is listening or not.

I’m so bright I’m blind.

Too much light can hurt the mind.

So I live by night and die by day

like stars that need a lot of darkness to shine.

I don’t struggle anymore to keep up with myself

like the shadow of an ambulance

because the darkness lasts longer than the radiance

and there’s a dark halo of comets

that rolls like the barrel

of a midnight special around the sun

that likes to play Russian roulette with its planets

but it takes lightyears after the gun goes off

for the bullet to strike home like a prophecy

that came true long long before

any of us were born

to see the light through our ears.

Don’t care if I do don’t care if I don’t

have a dark past or a bright future.

Now is enough of a mile

to keep me walking for awhile

whether I know where I’m going or not.

First you hurt from the exertion

of pushing yourself

like a rock up a hill

that keeps rolling back down upon you

like a stone over the entrance of the same tomb

that gave birth to you like luggage

in the locker of a bus-stop.

And then you give up.

You donate your rock

like a vital organ

or kissing stone

to some local Kaaba

and then join Amnesty International

to help indict

the genocidal asteroids

for past war crimes against the dinosaurs

forgetting that nuclear winter

was the sign of the times

that led to us.

A mammal’s just a reptile

that pulled one over on the rest

like a neo-cortex.

And if you go extinct?

Well

you can always say

you did your best

and tomorrow’s a new day.

You could see it that way

but I don’t

because it doesn’t make a damn bit of difference

whether I’ve got a point of view

or not.

Either way

I’m as clueless as my name

about why things change to stay the same

as if first you’re born of fire

and then you’re born of water

and then the night cuts you free

of your spinal cord like a kite

or a snake

moving through the grass

like the eye of the needle

that’s just been threaded

by a forked tongue

that gets you into paradise

faster than greased lightning

can be feathered with light

and you catch sight of yourself

in an oxymoronic corner

of the black mind mirror

as if the lowest of things

had just been given the wings of a dragon

and there were the eggs of all your past lives

lying around like fat moons

you could live on like an eclipse forever

burying and exhuming the light

like the white doves of old loveletters

in the hands of a black magician

that doesn’t believe in superstition.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


DON'T CARE IF I DO

DON’T CARE IF I DO

 

Don’t care if I do don’t care if I don’t.

I’m letting go of the spinal cord

I’ve been hanging on to for years

to pull myself up over the edge of my mind

safe at last safe at last safe at last

to enjoy the view

like a man standing upright on a precipice

without a gnawing urge to jump.

One mile up is one mile down

and letting go

is my only way of hanging on.

Letting myself go over the cliff

will I revive from my annihilation like water?

Will daring say feathers and falling take flight

or will the lights just go out

before the movie begins

and I’m inconceivably not there to see it?

The abyss of my calling

is an intimately impersonal voice

that whispers of other dimensions

just under my skin

well within the comprehension of jumpers like me

who have fallen so long through the same blackhole

they’ve reversed directions

and now they’re falling up

as if a course correction

had been beamed up to Icarus

and now he were plunging into the sun like a spent satellite

sending little blips and beeps back

like illuminating details of his annihilation

not knowing if anyone is listening or not.

I’m so bright I’m blind.

Too much light can hurt the mind.

So I live by night and die by day

like stars that need a lot of darkness to shine.

I don’t struggle anymore to keep up with myself

like the shadow of an ambulance

because the darkness lasts longer than the radiance

and there’s a dark halo of comets

that rolls like the barrel

of a midnight special around the sun

that likes to play Russian roulette with its planets

but it takes lightyears after the gun goes off

for the bullet to strike home like a prophecy

that came true long long before

any of us were born

to see the light through our ears.

Don’t care if I do don’t care if I don’t

have a dark past or a bright future.

Now is enough of a mile

to keep me walking for awhile

whether I know where I’m going or not.

First you hurt from the exertion

of pushing yourself

like a rock up a hill

that keeps rolling back down upon you

like a stone over the entrance of the same tomb

that gave birth to you like luggage

in the locker of a bus-stop.

And then you give up.

You donate your rock

like a vital organ

or kissing stone

to some local Kaaba

and then join Amnesty International

to help indict

the genocidal asteroids

for past war crimes against the dinosaurs

forgetting that nuclear winter

was the sign of the times

that led to us.

A mammal’s just a reptile

that pulled one over on the rest

like a neo-cortex.

And if you go extinct?

Well

you can always say

you did your best

and tomorrow’s a new day.

You could see it that way

but I don’t

because it doesn’t make a damn bit of difference

whether I’ve got a point of view

or not.

Either way

I’m as clueless as my name

about why things change to stay the same

as if first you’re born of fire

and then you’re born of water

and then the night cuts you free

of your spinal cord like a kite

or a snake

moving through the grass

like the eye of the needle

that’s just been threaded

by a forked tongue

that gets you into paradise

faster than greased lightning

can be feathered with light

and you catch sight of yourself

in an oxymoronic corner

of the black mind mirror

as if the lowest of things

had just been given the wings of a dragon

and there were the eggs of all your past lives

lying around like fat moons

you could live on like an eclipse forever

burying and exhuming the light

like the white doves of old loveletters

in the hands of a black magician

that doesn’t believe in superstition.

 

PATRICK WHITE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


YOU ASKED ME HOW TO SURVIVE AS A POET

YOU ASKED ME HOW TO SURVIVE AS A POET

 

You asked me how to survive as a poet

among mad women

who want to tear you apart

to secure a place in your heart

by eating it.

I laughed and said

Turn gay.

But it wasn’t the right thing to say

and you were disappointed in me

and walked away

as if you were giving the world a dirty look

because you were hurt

and you expected the world to know it

because you hold the world

to higher standards

than the world can keep.

But if you were to ask me

now that I’ve upgraded myself

to a more sensitive gene for compassion

and the serious-minded meme

for a more acute sense of black humour

I would tell you to stop

listening to prophetic rumours

of your early demise

at the hands of savage women.

The flying ant sprouts wings

and lives for a frenzied hour in the sunset.

And an elephant can live for a hundred lumbering years.

But you as a poet won’t live any longer

than the lifespan of your inspiration

and women are the gate the source

the fountainmouth and watershed of it

and the way you see them

is who you are as a man.

I see you’ve estranged all your stars

so carefully

you’re lost in the chaos

of your own myth of origin

waiting for something to shine.

And though I know you think

you drift through the vastness alone

well beyond the reach of gravity

where nothing can get you down

like it or not 

women are your home planet

and you’re their shepherd moon.

A woman bends space around you

like a black mirror of dark matter

that distorts your face

into something clear.

A smear she wipes off on her sleeve. 

And you roll with the bet

like a skull playing Russian roulette

on your wedding night

knowing you’re doomed to lose.

And so what

if you don’t survive?

You’ve never been more alive.

So what if you’re consumed

as your flesh is rent asunder

like a lone tree on a high hill

by lightning bolts

that kiss like fireflies?

Only the insane

would go looking for life

with a weathervane

and even if your dick twitches

like a metal detector over Roman coins

and you’re amazed to discover

your face on them 

when you dig them up

even the dead know

you should approach

the dark muse of a dangerous woman

like a divining rod approaches a watershed.

Gently.

And with great fear in your heart

you haven’t been truly

empowered by your art

to overcome the coward

who would lie to her face

like a mirage lies to water

about why there are cracks in the mirror.

Among the many medusas maenads

mermaids muses and madonnas

that have come and gone

like phases of the moon

that turned you to stone

when you jumped into the snakepit

thinking you were immune

to their elixirs and toxins

because you had a serum for a shield

that could deflect their sex appeal

like a stealth fighter deluding their radar

you were the test-dummy in the ejection seat

that was targetted like a star

by a heat-seeking missile

that knew the moment you spoke

you were just another kite

burning in the powerlines

of a pre-emptive strike

on their nuclear facilities.

They shot you down for practice.

Women are the Iranians of the moon.

And men are their flying carpets.

What could a new lamp mean

to an old geni

if it won’t grant three wishes?

If you want to be a good dolphin

and learn to walk on water

like the Buddha did

five hundred years before Jesus

in the Lankavatara Sutra

and I heard you did

just the other day

you’ve got to turn your feet into waves

and learn to swim through stone

like barely detectable particles of black matter

deep underground

where science is listening for you

as if the first word of creation

were written in invisible ink

long before God ever said let there be light

and alienated three quarters of the night.

But you’re the orphan

of a motherless generation

that was left on the stairs

of the decade that took you in

and raised you as if you were one of their own.

But it’s not good

that you’ve never been at home

in your own homelessness.

You’ve been missing a lot

that you only get one shot at.

You’re a bright embryo in the wrong womb.

You’ve wasted your solitude.

The sixties were the second-coming

of a Cambrian explosion

of experimental life forms

that evolved psycho-chemically into us

by tinkering with our genes

as if they were the logos and memes

of a fossilized crustracean

in the Burgess Shale

of a spineless generation

that took the world by the tail. 

It’s later than we think

and some have gone extinct

and money’s become the tenth of nine muses

and love for the most part

when you take it to heart

is a mirage in the mouth of a drought.

But be that as it may

even before you’ve tasted

the mystic wine of a woman

or French-kissed the moon

you’re already groaning like a hangover

full of regrets

and imperious absolutes

never to do it again.

What kind of party is this

that feels the pain before the bliss?

That sheds before it blossoms

as if it dreaded the full moon

walking like Atlantis

into a roomful of doomed sailors

lying on her seabed

like the most lucid of lighthouses

happy to be lost in the depths?

You could vastly improve your lovelife

by learning to approach a woman

as if she were you

only inside out.

And you may be famous

for the things you doubt

 

 

 

 

 

 

 

 

 

 

 

but you talk too much about genius

to know anything about it.

And you suppose

because I’m old and published

that I’m wise and caring

but as the Arabs are fond of saying

you can load a lot of books

on the back of a jackass

but it’s still the braying of a jackass.

Or as one of my past lives said

as she was leaving

for her good and mine

You’re a brilliant idiot

and over the course of time

I’ve become dumb enough to see her point.

But one of life’s greatest gifts to me

and the one that arouses

the most jealousy

is that I was born too stupid

to be a cynic

and so unlovable

I’m free.

 

PATRICK WHITE

 

 

 

 

 

 

 

 


DON'T ASK FOR ANYTHING

DON’T ASK FOR ANYTHING

 

Don’t ask for anything

and I’ll give you everything.

Don’t demand I do anything

and there’s nothing

I won’t do for you.

You don’t have to be interested

in the same things I am

if there’s no difference

in our two solitudes.

I don’t need to know

where you’ve been

or where you’re going

or why I’m still here

as long as things are flowing.

I’m not in the habit

of entering the dark

by turning the lights on

but I don’t mind the occasional lamp.

So shine as you wish

down upon nothing

and I’ll wait like the Buddha

to be enlightened by Venus in the dawn

and running ahead of the sun

you’ll be the morning star

before it fell for Lucifer

and even then if you wish

I’ll be your desolate kingdom.

I won’t wear a clown’s facepaint

to conceal the lie

of my personal history

and you won’t need to apply

cosmetics to your mystery

like moonlight on eyelids of water

because what I will always find

most beautiful about you

is the part I haven’t seen.

And we don’t have to mean

anything to each other

you can read in a magazine

about young scars

falling in love with older wounds

because we’ll live in the moment

as if it were the afterlife of time

where no one’s ever heard of eternity.

I’ll deepen the dark

to enhance your radiance

and we’ll come together like opposites

in the eyes of the one seeing.

And you’ll encourage me to paint

more dynamically abstract

instead of stuff that sells

but it won’t be a contest of wills

as I read your poems out loud to myself

and remark to the dust on the windowsills

the muses live in the mountains

darling

not the hills.

But it won’t mean anything

by the end of the night

if we’re both singing a different song

you on the green bough

and me on a dead branch

and every pebble in the pyramid

it took so long to pile up like quicksand

is the foundation-stone

of an avalanche

that will bury both of us in a desert

that feels right at home

with necrophiliacs and thieves.

So when you drink wine in Ottawa

I’ll get drunk in Perth

and should you die

of an astronomical catastrophe

that wipes out life on earth

I’ll be the simple thermophilic bacterium

that elaborates your re-birth

in a new medium

you’re perfectly adapted to like me

who’ll be waiting for you

to crawl up out of the sea

onto land again

as you did last night

and then after a short walk upright

through the tall dangerous leopard-crawling grass

like a waterbird that leaves no trace

of its presence behind

take flight in the life of the spirit

as if my words were uplifted by your voice

like fire on the wind

so you can see

though I may be dark

I’m not blind.

And I can be

something close

to what you had in mind

when you first read me

that old myth of origin

like a bedtime story

that always began

with once upon a time.

I’ll be your knight and dragon in one

and overcome myself

on the way to your rescue

like Perseus unchaining Andromeda from the rock

by giving lock-jaw to a ravenous sea monster

by holding up Medusa’s severed head

like the red ghoul of the star Al Gol

burning like a hot jewel in a frigid constellation

or Don Quixote tilting at windmills

to keep them turning

or Sisyphus dreaming

of building the Taj Mahal one day

if he just keeps plodding away

up and down his little hill

without reservation

and a lot of good will.

 

PATRICK WHITE